<n>Fin août</n>, a graphic design dissertation published by <n>Éditions & Design (ESADHaR)</n>.

<n>Aera Foundation</n> brand identity designed by <n>Harrison Gyde</n>.

A spread from <n>Press Paintings</n> by <n>Sebastian Riemer</n>, designed by <n>Teo Schifferli</n>, <n>Ladina Dörig</n>, and <n>[Studio] Lou Rais</n>.

A spread from the monograph <n>Vera Kox: Into</n>, showing artist <n>Vera Kox</n>'s <n>Sentient Soil</n> installation.

The 2015 book <n>DIVERSIONI VISIVE</n> on photojournalism ethics, supervised by <n>Mauro Bubbico</n> at <n>ISIA U</n>.

Business cards for <n>Nova IT</n> designed by <n>Izabela Jurczyk</n>.

NOVA IT | Custom Business Cards, Stationary & Marketing Materials

Table of contents from <n>Reanimate Film Magazine</n>, designed by <n>Olly Sorsby</n>.

Editorial design for the project <n>Sophie Calle | Hacedores de Mundo</n> by design studio <n>Hacedores de Mundo</n>.

The book <n>Alexey Brodovitch: Astonish Me</n>, designed by <n>A Practice for Everyday Life</n>. Photo by <n>Ed Park</n>.

Branding for <n>PerDiem</n> by <n>Tino Nyman</n> and <n>Studio Nine.SixThree</n>.

Business card for <n>bouwstof</n> designed by <n>Jana Keppens</n>, printed by <n>Jozias Boone</n>. Photo by <n>Thomas Driesen</n>.

A spread from the 2004 book <n>Beauty and the book</n>, designed by <n>Julia Born</n> and published by <n>Niggli</n>.

Editorial design for <n>Coreia #11</n> magazine by <n>isabel_____lucena</n> for the 2023-2024 <n>Festival Sâlmon</n>.

A page on the Seoul-based collective <n>Adocs</n> from <n>Publishing as Method</n>, edited by <n>Lim Kyung Yong</n>.

Business card for <n>Infinitive Factory</n> designed by <n>Bruch—Idee&Form</n>.

A spread from <n>Nūbēs</n>, a book on the work of artist <n>Raphaël Lecoquierre</n>. Photo by <n>Pauline Rosen-Cros</n>.

Publication featuring artist <n>Theresa Wey</n>, created in collaboration with <n>David Gallo</n>.

<n>Eternity</n>, a diploma project and typeface by <n>Anna-Sophia Pohlmann</n>. Photo by <n>Nina Pacherova</n>.

The Riso-printed <n>PhMuseum Days 2024 Catalogue</n>, published by <n>PhMuseum</n> and designed by <n>Atelier Tatanka</n>.

An experimental edition by <n>Balmer Hählen</n> from a workshop with graphic design students at <n>Eracom</n>.

Book design for <n>Homicide: Inside the NYPD's Brooklyn North Command</n> by <n>Studio Lin</n>.

Branding for <n>Langara Construction</n> by studio <n>Vanderbrand</n>. Photo by <n>Sophie Feist</n>.

A spread from <n>DIDI Zine</n> by artists <n>Moritz Freudenberg</n> and <n>Marius Land</n>, published by <n>GeoAIR</n>.

The <n>Frac Île-de-France collection catalog</n> designed by <n>Bizzarri-Rodriguez</n> in 2020. Photo by <n>Stéphane Ruchaud</n>.

A <n>Barn Owl</n> in flight, featured as the album art for <n>Fracture Of Marika</n> by <n>Crawla</n>.

A spread from the book <n>A – Z / A = Z ( s. Identität)</n>, edited by <n>Wilfried Dickhoff</n> and <n>Marcus Steinweg</n>.

<n>La Paix, Nulle Part Alleurs</n>, a 2024 artist's book by photographer <n>Antonio Jimenez Saiz</n> and artist <n>Violette Mortier</n>.

Brand identity design by <n>Victor Ramos</n>.

Notebooks belonging to <n>Ian Curtis</n>, from <n>Kevin Cummins</n>' photo book on <n>Joy Division</n>.

Business card for <n>Mano Espresso Bar</n> designed by <n>Ollie Schaich Studio</n>.