<n>Standing</n> for the <n>COS Spring Denim Collection 2024</n> campaign. Photo by <n>Karim Sadli</n>.

<n>Untitled</n> (2000) by <n>Anish Kapoor</n>.

Multi-level embossing test for the <n>Statement Edition</n> by <n>Balmer Hählen</n> and <n>Sonderegger AG</n>.

Poster for <n>Operation: Get Down</n> with <n>Nina Simone</n>, <n>Myrna Summers</n>, and <n>Niki Giovanni</n> in Detroit, 1971.

Detail from a <n>COS</n> campaign by photographer <n>Jack Davison</n>.

A macro photograph of a tennis ball by <n>Geon Yang</n>.

<n>Interior of a Lottery</n> (1821) by artist <n>James Kidder</n>.

Invitation for <n>Drôle de Monsieur</n> produced by <n>Imprimerie du Marais</n>. Photo by <n>Mickaël Llorca</n>.

Dinner menu mailer designed by <n>Alexander Girard</n> for <n>La Fonda del Sol</n> restaurant, ca. 1960.

Designer <n>Haider Ackermann</n> for his debut <n>Tom Ford Autumn/Winter 2025</n> collection.

From the <n>Margaret Howell</n> Fall/Winter 2021 campaign, photographed by <n>Jack Davison</n>.

Minimalist logo design titled <n>Traveling Birds</n>.

Cover of <n>TYPEONE Magazine — Issue 08</n> with calligraphy by <n>MAMIMOZI</n>.

<n>Casa Eréndira</n> in Morelia, Mexico, designed by <n>Pepe Ramirez</n>. Photo by <n>César Belio</n>.

Designer <n>Aparup Ganguly</n>'s personal project, <n>Verte</n>, explores the relationship between type and image.

Goalkeeper <n>Jorge Campos</n> in his self-designed <n>Umbro</n> kit for Mexico at the <n>1994 FIFA World Cup</n>.

Giuseppe Santamaria — Street Style Blog (formerly Men In This Town)

Street scene in Oaxaca, styled by <n>Esther Matilla</n> for the <n>Financial Times How To Spend It</n>.

<n>Glass and Shadows</n> (c. 1905) by photographer <n>Adolph de Meyer</n>.