<n>Brazilian Brutalism</n> at the <n>Residência Antonio Theophilo</n> by <n>Decio Tozzi</n> (1974). Photo by <n>Cristiano Mascaro</n>.

The Brutalist Mexico City home of artist <n>Pedro Reyes</n> and fashion designer <n>Carla Fernandez</n>, featured in <n>Kinfolk</n>.

“Key to the Meanings of Colours” from the 1901 book <n>Thought-Forms</n> by <n>Annie Besant</n> and <n>C.W. Leadbeater</n>.

A brand graphic for <n>Earthrise Studio</n>.

A microscopic view of <n>sand</n> captured by <n>co_micro</n> using an <n>Olympus BH-2</n> microscope.

Plate VIII from <n>Marmora</n> (1776), a catalogue of marbles by <n>Adam Ludwig Wirsing</n>.

The Diversity of Infinity – Product

Plate XXXII from <n>Thomas Wright</n>'s 1750 book, <n>An Original Theory or New Hypothesis of the Universe</n>.

<n>Discomedusae, Plate 8</n> (1904) by <n>Ernst Haeckel</n> from his collection <n>Kunstformen der Natur</n>.

<n>Diplo</n>'s <n>brutalist</n> home in Jamaica, designed by <n>Santayana and Exum</n>. Photo by <n>Douglas Friedman</n>.

Concept art of Kyne's Lab for <n>Denis Villeneuve</n>'s <n>Dune</n> by artist <n>Deak Ferrand</n>.

<n>'Calx carbonata' [Ammonite with crystals]</n>, an 1803 illustration by <n>James Sowerby</n>.

“Study nature, love nature, stay close to nature. It will never fail you.”

An illustration comparing the geometric progression of the <n>Flower of Life</n> and biological cell <n>mitosis</n>.

The <n>Bundle Dyeing Kit - Silk & Flowers Diy</n> from <n>Kaliko</n>.

Infographic from <n>outofstress.com</n> showing the geometric construction of the <n>Flower of Life</n>.

Chart G from the <n>Atlas of the Munsell Color System</n> (1915) by artist <n>Albert Henry Munsell</n>.

A botanical photograph by <n>Karl Blossfeldt</n>.

ME