things we can’t see or touch but we can feel

intangible

Essence of the Image, No. 1 - 70x100 cm / 28x40″ / Unframed

<n>Shining Sea</n>, an airbrush painting by <n>Shusei Nagaoka</n> used as cover art for a <n>Led Zeppelin</n> bootleg album.

<n>The Lightning Field</n> (1977) by <n>Walter De Maria</n>. Photo by <n>John Cliett</n>.

<n>Untitled (Silueta Series, Mexico)</n>, 1976, by artist <n>Ana Mendieta</n>.

An artwork from the <n>Silueta Series</n> (1973-1980) by Cuban-American artist <n>Ana Mendieta</n>.

<n>Oscillon #39</n> and <n>Oscillon #11</n>, <n>Electronic Abstractions</n> by artist <n>Ben F. Laposky</n>, c. 1950.

A photograph from the series <n>Girl Pictures</n> by artist <n>Justine Kurland</n>.

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<n>Overture</n> (2022-2023), a project by artist duo <n>Synchrodogs</n>.

<n>Ruth Thorne-Thomsen</n>'s 1983 photograph, <n>Dot Lady, Door Series</n>, used as the cover for <n>Beme Seed</n>'s 1989 album.

An illustration from <n>The Mystical World</n>, published by <n>Jiangmen Cultural Relics</n> in 1990.

Artwork by <n>Anna D'Urbano</n>, used as cover art for various musical artists on Spotify.

<n>Ana Mendieta</n>'s '<n>Alma, Silhueta em Fogo</n>' (1975) from her '<n>Silueta Series</n>'.

Cover illustration for the 1979 book <n>I dodici punti cardinali</n> by artist <n>Karel Thole</n>.

<n>Imagen de Yagul</n> (1973) by <n>Ana Mendieta</n> from the series <n>Silueta Works in Mexico</n>.

Cover art for the song <n>Wrong place</n> by <n>Bliiiss</n> and the album <n>perfect</n> by <n>capoxxo</n>.

Photo by <n>Thibaut Grevet</n> for a <n>Distance</n> and <n>On Running</n> collaboration.