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AI-generated architecture from the <n>Gaudism</n> project, inspired by <n>Catalan Modernisme</n>.

Artwork titled <n>wanderlust</n> by Romanian artist <n>Mircea Suciu</n>.

<n>Workers For Freedom</n> shirt, ca. 1985.

I love listening. It is one of the only spaces where you can be still and moved at the same time.

— Nayyirah Waheed

A still from <n>Ingmar Bergman</n>'s 1966 film, <n>Persona</n>.

Infrared view of the <n>Andromeda Galaxy</n> and its companions, <n>M32</n> and <n>M110</n>, by <n>NASA</n>'s <n>WISE</n> telescope, 2010.

A <n>Flying fish (Exocoetidae)</n> leaps from the water. Photo by <n>Harold Moses</n>.

<n>Analog Architectural Atlas 1965–84</n> by <n>Alfius De Bux</n>.

People often find themselves scared to start over because we’re led to believe that everything we’ve done so far will become a waste. ‘Starting from scratch’ is not real. We’re always starting from experience.

<n>Tree, Line</n>, a 2011 constructed photograph by artist <n>Zander Olsen</n>.

Still life for <n>Etota</n> by photographer <n>Lauren Bamford</n> and stylist <n>Stephanie Stamatis</n>.

“Synchronicity is an ever present reality for those who have eyes to see it.”

— Carl Jung

Creative director <n>Hanna Schönberg</n> in Greece.

Actor <n>Jake Gyllenhaal</n> and musician <n>Taylor Swift</n>.

<n>A + B</n>, a 2015 collage by <n>Isabel Reitemeyer</n> featuring <n>Alain Delon</n> and <n>Brigitte Bardot</n>.

<n>Irving Penn</n>'s still life, "<n>Theatre Accident, New York</n>" (1947), commissioned by <n>Vogue</n>.

A reversible crochet vest with two distinct patterns, including a gingham-style and a 3D texture.

A wall of vintage speakers from <n>Forrest Frank</n> for <n>Not Yet Home</n>.

Florence. Photo by <n>Dmitry Korobeynik</n>.

<n>Zendaya</n> rides a bicycle while pulling a rolling suitcase.

<n>Saw My Shadow</n> (2021) by artist <n>Danielle Mckinney</n>.

<n>Marcel Duchamp</n> and <n>Salvador Dalí</n> playing chess, 1963. Photo by <n>Julian Wasser</n>.

A still from the 1979 Sri Lankan film <n>Hansa Vilak</n>, directed by <n>Dharmasiri Bandaranayake</n>.