HANDS THAT MAKE MARV.

The <n>Infinity</n> pearl bracelet by <n>Brionya James</n>.

Photograph by <n>Michael Todd</n> from the <n>Player's Ball</n> in Chicago, 1984.

A portrait from the series <n>The Cracker</n> by photographer <n>Laura Pannack</n>.

A still from the 2023 film <n>New York Postcard</n> by <n>Páraic McGloughlin</n> and <n>Kevin McGloughlin</n>.

<n>Stuck in 4th dimension</n>, a <n>Brutalist</n> photograph by <n>Halong Vietnamita</n>.

Younger members of the <n>Nasty Crew</n> in East London, 2005. Photo by <n>Simon Wheatley</n>.

From the series <n>The Troubles</n> by photographer <n>Chris Steele-Perkins</n> of <n>Magnum Photos</n>, 1978.

<n>Balfron Tower</n> in London, designed by <n>Ernö Goldfinger</n>. Photo by <n>Simon Phipps</n>.

Cover of <n>Colonial Fantasies: Towards a Feminist Reading of Orientalism</n> by <n>Meyda Yegenoglu</n>.

A <n>graffiti</n> alphabet by Toronto-based artist <n>Bounce</n>.

Photograph by <n>Michael Kleinfeld</n> at the <n>Masjid Muhammad</n> mosque in Washington, DC, 2004.

<n>University College, Urbino</n> (1958-76), a <n>Brutalist</n> complex by architect <n>Giancarlo De Carlo</n>.

Still from the music video for <n>21 Savage</n>'s '<n>RedRum</n>' (2024), directed by <n>danny seth</n>.