graphic

The portfolio of art director and graphic designer <n>Golpe</n>.

The <n>Out of Order</n> catalog, designed by <n>Daily Dialogue</n> for the <n>Haubrok Foundation</n>.

Artist book '<n>iPhone Archiv Benjamin Lewin</n>' for <n>Benjamin Lewin</n>, designed by <n>Colin Doerffler</n>.

Artworks <n>Monolith #04</n> and <n>Thick as Thieves</n> by <n>Chris Ro</n>, presented with <n>SOHWANSA</n> at <n>Unlimited Edition 15</n>.

<n>Typographic tote</n> designed by <n>William Stormdal</n> for the <n>INTER</n> event in 2016.

Portfolio website for photographer <n>David William Baum</n>, designed by <n>benmingo</n>.

Digital illustration <n>تصريح أجازة</n> (Vacation Permit) by <n>Beso Studio</n>.

Die neue Graphik, The New Graphic Art, Le Nouvel Art Graphique by Karl Gerstner and Markus Kutter, 1959. Arthur Niggli, Teufen, Switzerland and Hastings House Publishers (Visual Communications Books), New York, NY. 9.25 x 9.5, pp. 248 with German, English and French text. Printed in Switzerland. Designed by Karl Gerstner.
A substantial pictorial survey of international, modern graphic design from its 19th century origins until the late 1950‘s ... “its evolution, its peculiarities, its tasks, its problems, its manifestations, and its future prospects.” With a Preface and Acknowledgements, Introductory text (Is commercial art a true art?) and extensive commentary by the authors.
One of the first books to introduce international audiences (3 languages) to ideas about “Constructive” graphics and the emerging “Swiss Style” alongside new American modern graphics; which many encountered for the first time. A personal point of view by the authors, published shortly after the founding of Gerstner + Kutter; one of Switzerland’s most successful and important advertising agencies. 
Meticulously designed by Karl Gerstner using a square format, three-column grid and objective typography. Heavily illustrated with 432 examples including 12 in full color, a detailed index of names and sections on: trademarks, advertising, packaging, book jackets, posters and more. Interestingly, Gerstner + Kutter’s work for “Boîte à musique” is the final example shown, perhaps signaling the future.
A near fine hardcover book with faint handling and a lightly toned cloth spine. In a very good publisher‘s slipcase with light wear, moderate toning along the edges and a sunned back. Curiously, due to a printing error, pp. 77/78 and 157/158 (see photo) have been turned upside-down but the contents remain intact. I love this book; highly recommended!

Die neue Graphik / The New Graphic Art / Le Nouvel Art Graphique, 1959 [Karl Gerstner and Markus Kutter]

A spread from <n>YET magazine</n>, founded by <n>Salvatore Vitale</n> and <n>Nicolas Polli</n>.

A spread from <n>BASKETCASE — Volume One</n>, a publication by <n>Basketcase Gallery</n> with art direction by <n>Andrés Santana</n>.

MFA AKV|St.Joost Graduation Exhibition 2017

<n>Masako Ohta</n>'s 2024 album <n>Solo</n>, released on <n>Squama Recordings</n>. Design by <n>Maximilian Schachtner</n>.

The <n>Diploma Publication 2019</n> for <n>BA Visual Communication ZHdK</n>, designed by <n>Pascal Sennhauser</n> and others.

The <n>GRETES visual identity</n> created by <n>andstudio</n>.

A spread from <n>Karel Martens: Counterprint</n> (2004), designed by <n>Hans Gremmen</n> for <n>Hyphen Press</n>.