SHELLS

<n>Drowse</n> (2017) by artist <n>David Uzochukwu</n>.

An image from the body of work <n>Circadian Authority</n> for <n>Orienteer Mapazine</n>'s 'Circadian Rythms' issue.

The limited edition <n>Shells Collection</n> glassware by <n>CENTÁ</n>.

Dyed wool and silk fabrics hang to dry in the sun at the <n>Dyers' Souk</n> in <n>Marrakech</n>, Morocco.

An illustration of a safety pin by <n>ツチヤチカら / 6EYES</n>.

The cover of the book <n>Surfing in Heaven: Finding Balance In An Upside Down World</n>.

<n>Olafur Eliasson</n>'s installation <n>The weather project</n> (2003) at <n>Tate Modern</n>. Photo by <n>Andrew Dunkley</n>.

Editorial for <n>CARNALE</n>. Photo by <n>Simone Cossettini</n>. Styled by <n>Danny MUster</n>.

<n>Pearlised Nautilus Sea Shell, Close-up</n>, a photograph by <n>Finn Fox</n>.

A painting by <n>Helen Frankenthaler</n>.

An editorial photograph for <n>Rapha</n>'s limited edition <n>Pro Team Ascent collection</n>.

Campaign for <n>pierre bassene℗</n>'s mohair collection, featuring and directed by <n>biba</n>.

<n>Stone Alphabet</n> (1994) by Belgian type designer <n>Clotilde Olyff</n>.

<n>Whelks</n> (1979), a photograph by <n>Olivia Parker</n>.

A texture shot of the <n>Ultralight Moisturizer</n> by <n>Asarai</n>.