Make Art | It’s the end

Portland Art Museum (@portlandartmuseum) on Threads

<n>Jeremy Okai Davis</n>'s painting <n>Us</n> (2021). Photo by <n>Dan Kvitka</n>.

Blu (@jaziyyahh) on Threads

Hermes | Sound + Creativity (@soundandcreativity) on Threads

The logo for the Substack publication <n>Sound + Creativity</n>.

@tath264 on Threads

A journal page from the <n>Scrap a Day</n> challenge featuring a <n>Gocce Limoni di Sicilia</n> candy wrapper.

christopher sexton (@christhecocreator) on Threads

A portrait of author <n>Christopher Sexton</n>.

An illustration by <n>Daren Thomas Magee</n>.

PUREMIA (@puremiaa) on Threads

Title sequence from the film <n>Phase IV</n> (1974), directed by <n>Saul Bass</n>.

Bri Wheeler (@postscriptthoughts) on Threads

<n>Art Lover (Tired Museum Feet)</n>, c. 1956, by artist <n>Stevan Dohanos</n>.

Infographic titled <n>At what age do we do our greatest work?</n>

Joseph “Nana Kwame” Awuah-Darko 🇬🇭 (@okuntakinte) on Threads

Bancsta (@bancsta) on Threads

Studio Propel (@studiopropel) on Threads

Dennis Williams (@menacetodennis) on Threads

The agepill is brutal.

However - YOU and I have a unique advantage and opportunity in front of us…

If you are smart, you are making intelligent use of the wonders of 21st century technology to enhance your cognition well beyond the mean of our predecessors.

The only barriers

Multidisciplinary designer <n>Chase Travis</n> for the studio <n>Return Form</n>.

Steffi (@a_navel_gazer) on Threads

A still from an animation by artist <n>Hayden Clay Williams</n>, inspired by an ashtray.

Artist <n>Kameelah Janan Rasheed</n> in a portrait for PW Broadcast, in conversation with writer <n>Jazmine Hughes</n>.

Boris Lafleur (@boris_lafleur) on Threads

<n>COMEBACK</n>, a 2021 illustration by <n>YONIL</n>.

Matt McCormick (@mattrmccormick) on Threads

<n>Not Sure It Ever Happened, But I Remember It Perfectly (8 of 14)</n> by <n>William A. Cain</n>, 2021.

Digital illustration by artist <n>Jules</n> featuring his mascot, <n>Spud</n>.

<n>Spectrum Colors Arranged by Chance III</n> (1951) by artist <n>Ellsworth Kelly</n>.