pierre verger work

<n>Filling the Blanks</n> by <n>Chenhao Luo</n>, <n>Fangyi Chen</n>, and <n>Shuying Wu</n>, winner of <n>Tactical Urbanism Now! 2021</n>.

<n>Camo 36</n> (2022) by Kenyan artist <n>Thandiwe Muriu</n> from her <n>Camo</n> series.

<n>River</n>, a graphic design project by <n>Zeph TANG</n> exploring typographical errors.

Screen-printed flyer for the <n>Spuren des Stillstands</n> exhibition, designed by <n>Marc Roecker</n> and <n>Linus</n>.

The art book <n>Mondes flottants</n> by <n>Séphane Belzère</n>, designed by <n>Thibaut Robin</n> and published by <n>Éditions des Musées de Strasbourg</n> in 2022.

A digital painting from the '<n>Gele</n>' series by Nigerian artist <n>Sanjo Lawal</n> of <n>Alcata Studios</n>.

A <n>Xhosa</n> woman dances at a wedding celebration in Transkei, 1947. Photo by <n>Constance Stuart Larrabee</n>.

Event program for <n>Calidoscopi Cultural 2018</n>, designed by <n>PFP, disseny</n>.

The "<n>Year of the Dragon 2024</n>" calendar, photographed by <n>Alexandra Leese</n> with text by <n>Zing Tsjeng</n>.

An interior spread from the book <n>Méthodes</n> by <n>Atelier Pierre Hebbelinck</n>.

The visual identity for the 17th edition of the <n>OFFTA</n> festival, designed by <n>Supersystème</n>.

A spread from the fanzine <n>Weepies</n> by Portuguese artist <n>Rita Matos</n>.

<n>Three Generations</n> (2019) by photographer <n>Dudi Hasson</n> for <n>i-D Magazine</n>.