Enka serves as a blank canvas that actually only reflects what they are feeling – it does not dictate, it only echoes what they already have inside.

<n>A Walk Past Standing Stones</n>, a 1980 leporello by artist <n>Richard Long</n>.

A still from the 1975 film <n>Mirror</n>, directed by <n>Andrei Tarkovsky</n>.

The Inability to interpret sensations in this excess of light

The printing process of <n>FORGET ME NOT / VERGISSMEINNICHT</n> by <n>Stéphanie Baechler</n>, printed by <n>robstolk® amsterdam</n>.

<n>Self-portrait</n> (2004) by artist <n>Marina Faust</n>.

Compendium for <n>Professor Christian Kerez</n>'s course at <n>ETH Zürich</n>. Book design by <n>Kaspar Stöbe</n>, 2020.

Cover of <n>Rei Kawakubo and Comme des Garçons</n> (1990) by <n>Deyan Sudjic</n>, published by <n>Rizzoli</n>.

Artworks featured in <n>The Inde Post</n>.

MEMORY, an artist multiple by <n>Tania Mouraud</n>, 1977.

but only the moon peers around a corner of the window shade, transparent as the dress, like a page held up to sunlight till it burns.

a collection of captured echoes, shells of the remnants of material “somethings” held together in a tight embrace

“Rhythm of day and night, the echo of a time when things were still a unity."  Time, Space, Body, Transformation, Klaus Rinke