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Visual identity for architectural practice <n>Taka+Partners</n> designed by <n>Semiotik Design</n>.

<n>Musica Viva</n> poster designed by <n>Josef Müller-Brockmann</n> for a 1958 concert in Zurich.

Website for <n>Studio Röder</n> by designer <n>Kyle Lamond</n> and developer <n>Benjamin Aleuys Unterluggauer</n>.

Guerra Office

Business card experiments for <n>Alice Constantin</n>. Mockup by <n>Format</n>.

A booklet on the visibility of women, featuring distorted, <n>Brutalist</n>-inspired typography.

Programme for <n>24 hours Beuys</n> at <n>Kunstmuseum Basel</n>, designed by <n>Mario Nae</n> with the <n>Waldenburg</n> typeface.

<n>Future Forest</n> is a partnership between <n>SPACE10</n> and <n>IKEA</n> to improve forest sustainability.

<n>Kenan Nasibov</n>'s design for the letter K, part of the <n>36 Days of Type 2022</n> challenge.

<n>Organise Chaos</n> motion graphic by <n>Studio Dumbar</n> for <n>Tylko</n>, in collaboration with <n>Grey</n>.

Poster for the 2016 exhibition <n>More Than Lovers, More Than Friends</n>, curated by <n>Jo-ey Tang</n> and featuring artwork <n>Punctuation</n> by <n>Yu Honglei</n>.

<n>Swiss Style</n> poster for the <n>Juni-Festwochen</n> in Zürich by <n>Josef Müller-Brockmann</n>, 1964.

Compendium for <n>Professor Christian Kerez</n>'s course at <n>ETH Zürich</n>. Book design by <n>Kaspar Stöbe</n>, 2020.

Sleeve for <n>SØS Gunver Ryberg</n>'s 2020 album <n>Whities 030</n>, designed by <n>Alex McCullough</n> and <n>Noah Baker</n>.

Newspaper for the <n>Most Beautiful Swiss Books × Pratt</n> exhibition, 2022. Typeface is <n>Exvoto</n>.

Poster for the 2020 exhibition <n>Sidequests</n> at <n>Zina Gallery</n> with artists <n>Maria Balea</n>, <n>George Crîngașu</n>, and <n>Adrian Ganea</n>.

Poster for the 2023 <n>Brussels Street Photography Festival</n> by <n>Nicoló Oriani</n> and <n>Vrints-Kolsteren</n>.

Poster for the <n>Museum.Future / New.Media</n> event, held from October 15-18, 2018.