Book Layouts

The <n>Halley task light</n>, designed by <n>Richard Sapper</n> for <n>Lucesco</n>. From a 2005 <n>Metropolis</n> article by <n>Peter Hall</n>.

A 1967 magazine spread by <n>Willy Fleckhaus</n>, referencing an earlier <n>Esquire</n> cover by <n>George Lois</n>.

Graphic design by <n>Lisbeth Antoine</n> with words by writer <n>David Raby</n>.

The Brand Identity – Graphic Design’s Greatest

A booklet on the visibility of women, featuring distorted, <n>Brutalist</n>-inspired typography.

<n>Liberi vettori di cultura</n> poster designed by <n>A. G. Fronzoni</n> for a 1979 event in Genoa.

A publication spread on <n>Mark Leckey</n>'s 1999 video work, <n>Fiorucci Made Me Hardcore</n>.

A work-in-progress extended slab serif typeface by <n>Folch Studio</n>.

Book design for <n>Vertigo of Painting</n> by <n>Jérémy Glâtre</n>, featuring artists <n>Fred Sandback</n> and <n>Blinky Palermo</n>.

Architects <n>Christina Papalexandri</n> and <n>Ilias Papageorgiou</n> of <n>PILA</n> in <n>Ozon Magazine</n>.

An editorial shopping guide for <n>ISOKO</n>'s <n>SYNCHRONY Collection</n> for Spring 2022.

Illustration for '<n>The Comet Strike Theory That Just Won’t Die</n>' in <n>The New York Times Magazine</n>. Art direction by <n>Victoria Escobar</n>.

Dangerous Liaisons Book Redesigned with a Double Reading Way

A booklet on the visibility of women by <n>Rebekka Hausmann</n>, featuring brutally distorted typography.

Design for <n>The New York Times Magazine</n> with creative direction by <n>Gail Bichler</n> and <n>Ben Grandgenett</n>.