diary of form

<n>Sea snail shell</n> by <n>Herman Landschoff</n>, 1988.

<n>Sedimentary rocks</n> (1977) by photographer <n>William A. Garnett</n>.

<n>Configuration</n> (1965), an ink on paper work by artist <n>Jean (Hans) Arp</n>.

Jean (Hans) Arp. Configuration, Oppression (plate, page 35) from Dreams and Projects. 1951–52, published 1952 | MoMA

<n>fate a pulse</n>, an abstract drawing in mechanical pencil on paper by <n>Jesse Draves</n>.

Photograph by <n>Juergen Teller</n> from the March 2003 issue of <n>Vogue Italia</n>.

Photos by <n>Guillermo de la Torre</n> for <n>SOCĀIRE</n> with <n>KABUKI / ARTESANÍA CONTEMPORÁNEA</n>.

<n>Untitled</n> (1990) by <n>Christopher Wool</n>, from the art collection of <n>Larry Clark</n>.

<n>Dot Lady, Door Series</n> (1983) by photographer <n>Ruth Thorne-Thomsen</n>.

Still life photograph by <n>Martin Vallin</n>.

Used as branding for the <n>SS02</n> beauty product and as cover art for music by <n>SIDD</n>.

<n>Ben Laposky</n>'s <n>Oscillon 40</n> (1952), the cover of <n>Rosi Braidotti</n>'s book <n>O pós-humano</n>.

Collage artwork used by the record label <n>Potorro Sound</n>.