OBSOLESCENZA

Digital assets by <n>Studio 2am</n>, including the <n>Base&Bloom</n> font and <n>Lockup Vol.3</n> vectors.

An experimental architectural drawing by <n>Caleb Skene</n> from <n>Victoria University of Wellington</n>.

A <n>Green Dot symbol redesign</n> by <n>Mark O’Neill</n> for a brief by <n>Two°Creative</n> and <n>The Brand Identity</n>.

Photo by <n>io</n>, used as album art for musicians <n>Nick Malkin</n> and <n>aviator lane</n>.

A vintage <n>Sony EF 60 Cassette Tape</n>.

The 2015 video installation <n>Finding Fanon Part One</n> by <n>Larry Achiampong</n> and <n>David Blandy</n>.

Creative direction by <n>Katie Scotts</n> and <n>Valeria Chrampani</n>. Hair by <n>Christos Bairabas</n>, makeup by <n>MugQueens</n>.

A 2017 glitch art GIF by <n>TACHYONS +</n>.

A fictional editorial project featuring the 2015 artwork <n>Painting with History in a Room Filled with People with Funny Names 3</n>.

An <n>AVAVAV</n> x <n>Eastpak</n> campaign. Photo by <n>Lennert Madou</n>.

<n>Emily Ratajkowski</n> in the <n>Fair Shake</n> editorial for <n>Vogue</n>, wearing <n>Hermès</n>, <n>H&M</n>, and <n>Bottega Veneta</n>.

The digital artwork <n>deletion</n> (2018).

Artwork for <n>fischerle</n>'s album <n>post-functional dub objects</n> by <n>Karolina Pietrzyk</n>.

Album art for <n>Lewisham Is Home</n> by <n>Loverground</n>, released in 2021.

<n>Extracts of Local Distance</n>, a digital collage by <n>Frederic Gmeiner</n>, <n>Torsten Posselt</n>, and <n>Benjamin Maus</n>, 2010.