La mecha negra

An abstract digital work, possibly created using <n>TouchDesigner</n>.

An illustration created in collaboration with <n>James Cullen</n> and <n>Note</n>.

Stunt performer <n>Mario Perez</n> in <n>Cerro Gordo</n> (2016). Photo by <n>David Black</n>.

<n>Bed on Fire</n>, a 1975 palladium print by <n>Meridel Rubenstein</n>.

A <n>Mochica</n> ceramic artifact from the North Coast of Peru, dated 200-300 A.C.

<n>Ritual Mask Burners</n> designed to honor Filipino ancestry and cultural identity.

<n>The New Yorker</n> cover from June 25, 1960, illustrated by <n>Anatol Kovarsky</n>.

<n>Latin America</n>, an illustration by <n>Carl Link</n> depicting traditional regional attire.

A 3D render imagines a tennis collaboration between <n>Louis Vuitton</n> and <n>Lacoste</n>.

Graphic identity for <n>Gafas Murcia</n>, a vintage glasses collection owned by <n>Anna Murciano</n>.

Cover art for <n>J.Sheon</n>'s 2017 album, <n>Jie Xiang (街巷)</n>.

Advercase Free Font

<n>210: Fire And Rain - James Taylor</n>, a photograph from 2008.

“The Poster Workshop”, 2021, by Desisto - typo/graphic posters

<n>Terrazas incas</n>, an illustration by artist <n>Pierre Joubert</n>.