LIGHTING MATERIALE

The abandoned village of <n>Houtouwan</n> on Shengsi Island, China. Photo by <n>WNT</n>.

<n>Книга в бетоне</n>, a sculpture by <n>Бетоноукладчики.Лаборатория.МИРАСТРОЙ</n>.

Erosion control mechanism in Aogashima, Japan. Photo by <n>Yasushi Okano</n>.

<n>In or out</n> by photographer <n>Peter Samuelsson</n>.

<n>BF-12-16</n>, a concrete sculpture by <n>Benoist Van Borren</n>, 2014.

<n>Heritance Kandalama Hotel</n> in Sri Lanka, designed by <n>Geoffrey Bawa</n>. Photo by <n>Christian Richters</n>.

Textile works by artist <n>Julia Wright</n> for the <n>Fibre Arts Australia</n> event.

An abandoned space reclaimed by nature, photographed by <n>Gioberto Noro</n>.

The <n>Saihō-ji temple garden</n> in Kyoto, featuring 120 varieties of moss. Photo by <n>Joanna Kawecki</n>.

The abandoned fishing village of <n>Houtouwan</n> on Shengshan Island, reclaimed by nature. Photo by <n>Johannes Eisele</n>.

The <n>Tadao Lamp</n> by Zurich-based design studio <n>case studios</n>.

A <n>Brutalist</n> digital rendering from <n>Tadao Ando Studies</n> by artist <n>Morgan J. Rowe</n>.

<n>Moonshine Sculpture</n> by <n>Matias Faldbakken</n>.

<n>Archive Box #001, Sacred Tapes</n> by artist <n>Callum Higgins</n>.

<n>The Water</n>, a 2017 installation by <n>Hiroshi Sambuichi</n> in Copenhagen. Photo by <n>Rasmus Hjortshøj</n>.

Detail of the <n>Surrogate (JS), Surrogate (KRL), Surrogate (ARL)</n> sculptures by <n>Julianne Swartz</n>, 2012.