graphic

Logo for Hungarian animation studio <n>PIROS</n>, designed by <n>Ugly but useless</n>.

The <n>FH Premier</n> typeface by <n>Typografische</n>, inspired by the <n>grotesque</n> style of the late 1800s.

A poster about the <n>Bauhaus</n> art school, designed by <n>Señor Street</n>.

<n>Ronnie Fieg</n> and <n>KITH</n> collaborate with <n>ASICS</n> on the <n>GEL-KAYANO 12.1</n> sneaker.

Poster for the 2015 exhibition <n>不安すぎるライン</n> at <n>Tambourin Gallery</n>, directed by <n>Jun Tsuzuki</n>.

Poster for the <n>Sammlung Cavellini</n> exhibition at <n>Kunsthalle Basel</n> in 1958.

What do creative coding toolkits of the future look like? – MIT Media Lab

The cover for <n>Typographica 7</n>, designed by <n>Herbert Spencer</n> and published by <n>Lund Humphries</n> in 1963.

Poster for the <n>Semitransparent Design</n> exhibition by <n>Ryoji Tanaka</n> at <n>Ginza Graphic Gallery</n>, 2014.

<n>Visual Parallelism no.2</n> by artist <n>Xtian Miller</n>.

A poster for the <n>ASICS GEL-NIMBUS 9</n> sneaker, designed by <n>Paska Siburian</n>.

Poster for the <n>Calm // Chaos</n> art show in Chicago, designed by <n>Crystal Zapata</n>.

A 1970 poster for <n>Herman Miller</n> designed by <n>John Massey</n>, showcasing the company's product range.

<n>Sigfrid Cremer</n>'s print "<n>alphabetbild</n>" (1966), created in Stuttgart.

The <n>Neue Machina</n> typeface designed by <n>Mathieu Desjardins</n> for <n>Pangram Pangram</n>.

Cover design for the <n>FH Giselle</n> typeface by <n>Fatih Hardal</n>.

Poster for the 2014 <n>Asia Lighting Design Forum</n> designed by <n>Joonghyun Cho</n>.

The <n>pocket operator for Pixel</n> app by <n>Teenage Engineering</n> in collaboration with <n>Google</n>.

A technical drawing of a letter from the <n>GpsTech brand identity</n>.

<n>Typographie poster</n> designed by <n>Armin Ruder</n> for an exhibition at the <n>Gewerbemuseum Basel</n> in 1960.

Poster for the <n>Hochschulwoche Düsseldorf 1964</n> event, designed by <n>Walter Breker</n>.