Rathleton Records

"Word Stairs," a 2019 poster by <n>Lucas Grassmay</n> featuring a photograph of <n>Hopi women</n>.

Poster for the <n>Unknown City</n> exhibition, 2019. Design by <n>PANG K</n>, curated by <n>Zhang Yuxing</n>.

A piece from the <n>Kinetic Typography Experiments 03</n> series by <n>Hunter Bohm</n>, 2019.

<n>The Chart of Cosmic Exploration</n>, an infographic print by <n>Pop Chart Lab</n> from 2016.

<n>shards</n>, a generative animation by artist <n>Dave Whyte</n>.

Typefaces <n>Base&Bloom</n> and <n>Nostra Stream</n> from the <n>Discover Tomorrow Collection</n> by <n>tomorrow.type.today</n>.

Digital artwork by the Tokyo-based creative crew <n>PLUS 1</n>.

The <n>Neue Montreal Mono</n> typeface by <n>Pangram Pangram</n>, designed by <n>Mathieu Desjardins</n>. Visual by <n>Sergio Lairisa</n>.

ASCII art by <n>Analogue Design Agency</n> for an <n>Unofficial Awwwards After-Party</n>.

The pixel art logo for <n>Slow&Rat</n>, the graphic design duo of <n>Mat Slow</n> and <n>Pavel Rat</n>.

The logo for software development company <n>Dropstone</n>.

The user interface of the <n>TP–7 field recorder</n> by <n>Teenage Engineering</n>.

A project for <n>Valar Atomics</n> by <n>Matthew Smith</n> and <n>Bunsen</n> studio.

The 2017 photograph <n>SIM Card</n> by artist <n>Gab Bois</n>.

Branding for financial services company <n>Due</n> by design studio <n>Times Two</n>.

Work in progress, <n>Why don’t you just print it</n>, by artist <n>Andrew Strauss</n>.

An <n>Illustration of initial primes</n> by the community of <n>Damanhur</n>.