Workshop

HuntingtonBeach_2902

<n>New York, September 11th, 2001</n> by photographer <n>Melanie Einzig</n>.

A detail from <n>Hans Memling</n>'s painting <n>The Man of Sorrows</n>, c. 1490.

Illustration from <n>Alex Degen</n>'s book, <n>Mindhunters</n>.

An illustration for the poem <n>The Palace</n> by <n>María Medem</n>, published in <n>The New Yorker</n>.

<n>Dmitry Vrubel</n>'s mural <n>My God, Help Me to Survive This Deadly Love</n> (1990) at the <n>East Side Gallery</n> in Berlin.

<n>Final Punishment</n>, a digital collage by the artist <n>1dontknows</n>.

<n>Stephen Shames</n>'s 1969 photograph from the <n>People's Park protest</n> in Berkeley, California.

A detail of <n>Michelangelo Buonarroti</n>'s sculpture, <n>David</n> (1504).

Detail of <n>Luis Veldrof</n> from the 1823 painting by <n>Vicente López y Portaña</n>.

<n>Gator</n> (2017) by photographer <n>Anastasia Samoylova</n> from her series on Florida.

The <n>Kunstmuseum Bonn visual identity</n> by <n>Herburg Weiland</n>.

Digital illustration <n>Sam's Secret Files</n>.

<n>The Seven Works of Mercy</n>, a <n>Baroque</n> painting by <n>Caravaggio</n> from 1607.

<n>Manel Armengol</n>'s photograph of a police charge in Barcelona, 1976.

Revelers at the <n>Fallas festival</n> in Valencia, Spain, 2012. Photo by <n>Heino Kalis</n>.

A photograph by <n>Léo Berne</n>, often cited as an example of <n>Accidental Renaissance</n>.

Typographic wordmark by designer <n>Cecilia Sampson</n>.

A couple on a bicycle hide from a tank during the 1989 <n>Tiananmen Square protests</n>. Photo by <n>Liu Heung Shing</n>.

<n>Single Oriental Poppy</n>, 1968, by photographer <n>Irving Penn</n>.

<n>Lava flow</n> from a <n>volcanic eruption</n> in Reykjanes, <n>Iceland</n>. Photo by <n>Kevin Pages</n>.

The erupting <n>Volcán Llaima</n> in <n>Conguillío National Park</n>, Chile.