<n>Charles Jeffrey LOVERBOY</n>'s <n>Banana Boots</n> from Spring 2019. Photo by <n>JULIE VERHOEVEN</n>.

<n>Race Horse</n> (2017) by <n>Maroesjka Lavigne</n> from the <n>Lost Lands</n> series.

<n>Sardine cushions</n> (1972) by artists <n>François-Xavier Lalanne</n> and <n>Claude Lalanne</n>.

<n>Disjecta membra</n> in Cyrene, photographed by <n>Roloff Beny</n> in 1958.

<n>sometimes the end is the same as the beginning</n> by <n>Estefania Loret de Mola</n>.

A horse in Iceland, photographed by <n>Studio Mare</n> for <n>Somewhere Magazine</n>.

On the set of <n>Theo Angelopoulos</n>'s film <n>Ulysses' Gaze</n>, photographed by <n>Josef Koudelka</n> in 1994.

A photograph of light refraction on 35mm film, created using an LED light source.

A group of <n>bear cubs</n> climb a tree in Manitoba, Canada.

Poster for the <n>35esimo Premio Sergio Amidei</n> film award in Gorizia, 2016.

Branding for <n>Mesura</n> by <n>MOUTHWASH Studio</n>.

Photo by <n>Kelia Anne MacCluskey</n> for <n>Odiseo Vol. 10 'Utopia and Dystopia'</n>.

Cover of the 1973 monograph on <n>Yusaku Kamekura</n>, featuring his logo for the <n>World Design Conference '73</n>.

A childhood photo of <n>Isa Rose Conroy</n> with her hair affected by static electricity.

<n>Herman Miller logo</n> guide by <n>Herman Miller Corporate Communications Design and Development</n>, 1980.