narcaiusis

A look from <n>Abodi</n>'s Spring/Summer 2024 campaign, photographed by <n>SZILVESZTER MAKÓ</n>.

<n>These days</n> by photographer <n>Cho Gi-Seok</n> for <n>Dazed Korea</n>.

Promotional art for the play <n>La Stupéfaction</n>, directed by <n>Marie Provence</n> from a text by <n>Claire Marin</n>.

A portrait from <n>Jake Verzosa</n>'s series <n>The Last Tattooed Women of Kalinga</n>, documenting traditional batok tattoos.

A photograph from the <n>Process Of Love</n> series by <n>Cho Giseok</n>.

A back tattoo in the style of traditional Igbo <n>Uli</n> body art.

An illustration by <n>Arwa Jaber</n> exploring themes of stress and identity.

Look from <n>Undercover</n>'s 'Guru Guru' Fall 2006 collection with headpiece by <n>Katsuya Kamo</n>. Photo by <n>Irving Penn</n>.

An illustration by <n>Miguel Porlan</n> for an article by <n>Catherine Price</n> in <n>The New York Times</n>.

Rapid Ego Deflation Experiment by artist <n>Stephane Graff</n>.

Actor <n>Robert Pattinson</n> for <n>GQ</n>, March 2022. Photo by <n>Jack Bridgland</n>.

A photograph from <n>Zhong Lin</n>'s <n>Project 365</n>, 2020.

"<n>touch</n>" by photographer <n>Cho Giseok</n> for <n>etc svc</n>, styled by <n>Kim Kai</n>.

"<n>Mask, Hollywood</n>" (1989) by <n>Herb Ritts</n>, featuring model <n>Stephanie Seymour</n>.