Shape

<n>Isamu Noguchi</n>'s <n>Work Sheets for Sculpture</n>, 1945.

A detail from the <n>Pictorial Quilt</n> (1895-1898) by American folk artist <n>Harriet Powers</n>.

<n>Berkeley #56</n> (1955) by artist <n>Richard Diebenkorn</n>.

<n>Mitosis</n> (1962), a sculpture by <n>Isamu Noguchi</n>.

The 2023 painting <n>宇宙 (Universe)</n> by artist <n>川井有紗</n>.

Henri Matisse | Snow Flowers | The Metropolitan Museum of Art

An artist's studio featuring the painting <n>diving mask</n>.

Cover art for <n>HONNE</n>'s 2018 album <n>Love Me / Love Me Not</n>. Photo by <n>Dimitri Bogachuk</n>.

Photo by <n>گلخانه مجازي حميد زرين شهر</n>.

The 15th Century  Voynich Manuscript and the Naked Women

From <n>Mirelle van Tulder</n>'s artist book <n>Catalogue of Stolen Objects, Courtesy of</n>, published by <n>Roots to Fruits</n>.

<n>Kampala Suburb</n> (2014), a painting by <n>Michael Armitage</n>.

Artwork by <n>Idir Davaine</n> for <n>Jorum Studio</n> and musician <n>tee_illa</n>.

A collection of <n>Beachcombing finds</n> from various Rhode Island beaches.

<n>Two Women</n> (1939) by <n>Henri Matisse</n>.

<n>Untitled</n> (2019) by artist <n>Tim Romanowsky</n>.

<n>Henri Matisse</n>'s <n>Océanie, le Ciel</n>, a scarf designed for <n>Ascher</n> in 1946.

Installation of ceramic works by <n>Isamu Noguchi</n> at his 1952 exhibition in Tokyo. Photo by the artist.

Playful and pastel: Alexis Jamet’s work continues to perk up our interaction with nature

Spanish <n>Baroque</n> <n>Pendant Cross with Emeralds</n> (1575-1650) from the collection of <n>The Walters Art Museum</n>.

A 1914 illustration of starfish species from the book <n>Nature neighbors</n>.

Image from page 43 of "Birds and nature" (1900)

A 1948 lithograph by <n>Henri Matisse</n> for the back cover of <n>Verve</n> magazine.

<n>Nadir</n>, a wool tapestry designed by <n>Jean (Hans) Arp</n> and woven by <n>Atelier Pinton Frères</n> in 1973.

<n>Akari Light Sculptures</n> designed by <n>Isamu Noguchi</n> in 1951.

Our magical barn owls are in danger of disappearing — The Times and The Sunday Times

<n>Plate 16, Principles of the science of colour</n> by <n>William Benson</n>, 1868.