SOUND

<n>Recapturing Memories of the Black Ark</n> (2014) by <n>Gary Simmons</n>. Photo by <n>Robert Wedemeyer</n>.

Installation by <n>ILL-STUDIO</n>, <n>(LA)HORDE</n>, and <n>luca giudici</n> with set design by <n>Tom</n>. Photo by <n>t-space</n>.

<n>Soundscapes 007</n> by <n>The New Latency</n> for <n>The Outdoor Club</n>, hosted by <n>Rebecca Norberg</n> in Copenhagen.

Set design by <n>Andrew Lieberman</n> for <n>Opera North</n>'s 2013 production of <n>La clemenza di Tito</n>. Photo by <n>Robert Workman</n>.

<n>Adam Basanta</n>'s sound installation <n>A Large Inscription, A Great Noise</n> (2022). Photo by <n>Kristof Vrancken</n>.

Using gravel, microphones and concrete to reexamine the myth of Sisyphus