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The Waltz, photographed by <n>Tim Walker</n> with set design by <n>Shona Heath</n> for <n>Vogue Italia</n>, 2005.

The character <n>Emma Gilbert</n> from the television series <n>H2O: Just Add Water</n>.

The feet of <n>American Ballet Theatre</n> dancer <n>Paloma Herrera</n>, photographed by <n>Howard Schatz</n> in 1993.

A still from the 1967 short film <n>Uncle Yanco</n> by director <n>Agnès Varda</n>.

A film still from <n>A Pigeon Sat on a Branch Reflecting on Existence</n> (2014) by director <n>Roy Andersson</n>.

<n>Galina Ulanova</n> and <n>Vladimir Vasiliev</n> watch <n>Nikolai Tsiskaridze</n> rehearse for the ballet <n>Narcissus</n> in the 1990s.

Ballerina <n>Anusia Borzobohata-Krasieńska</n> in a series of photographs from the 1930s.

A scene from the <n>Vaganova Ballet Academy</n>. Photo by <n>Darian Volkova</n>.

Ballerina <n>Maya Plisetskaya</n> in a performance of <n>The Swan</n>.

Illustration from <n>The Universal One</n> (1926) by <n>Walter Russell</n>.

Ballet dancers on the grand staircase of the <n>Palais Garnier</n>. Photo by <n>Andrey Klemm</n>.

Photograph from a <n>Sundae Muse</n> photoshoot.

An alchemical drawing of the <n>Rebis</n>, attributed to <n>Donato d'Eremita da Roccadevandro</n>.

A still from <n>Jean Eustache</n>'s 1974 film <n>Mes petites amoureuses</n>.

A still from the 2010 film <n>Black Swan</n>.

<n>Gil Prates</n> in Rio de Janeiro, 1980.

A still from <n>Éric Rohmer</n>'s 1967 film <n>La Collectionneuse</n>.

A still from the 2020 film <n>The Metamorphosis of Birds</n>, directed by <n>Catarina Vasconcelos</n>.

<n>Strange Female Nude with Cat II</n> by <n>Peter Martin</n>.