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<n>Nix</n> by graphic and digital designer <n>Carmen Nácher</n>.

<n>Seaweed</n> series still life. Photo by <n>Anna Pogossova</n>, set design by <n>Roze Hooij</n>.

A Russian <n>Kokoshnik</n> headdress from the collection of <n>Princess Maria Klavdievna Tenisheva</n>, late 19th century.

<n>когда ты в лесу — ты в гостях</n>, an ink on paper drawing.

<n>Configurations</n> in sycamore by artist <n>Luke Hope</n>.

A portrait of <n>Horace Ridler</n>, known as <n>The Great Omi</n>, with tattoos by <n>George Burchett</n>.

<n>Concave Lozenge-shaped Panel and Grotesque Figures</n>, a blackwork engraving by <n>Noël Rouillard</n>, c. 1620-30.

A 19th-century <n>Bayton Kantha</n> from the collection of the <n>Gurusaday Museum</n> in Kolkata.

Tattoo flash sheet by <n>ᴏsᴍᴏsᴇ ⁕ ᴘᴀʀɪs ᴛᴀᴛᴛᴏᴏ</n>.

The <n>Echo lamp</n>, designed by <n>Ravenhill Studio</n> in 2019 for <n>Wallpaper* Handmade</n> in Milan.

Cover art for <n>The Radio Dept.</n>'s 2002 album <n>You're Lookin' at My Guy</n>.

<n>Kandelaar Branch</n> by <n>Pols Potten</n>.

Brand identity for <n>Ancestro</n> mezcal.

From the speculative design project <n>Ancient Chamber Belonging to the Sappho Feminist Cult</n> by <n>gigi</n> for <n>Plurality University Network</n>.

Illustration used as branding by DJ <n>Angelic Waves</n> and musician <n>violet</n>.

A linen <n>doily</n> from the <n>Puke Ariki</n> collection depicting a harvest scene with two figures.

<n>Quattrocode</n> typeface from the <n>Tomorrow Visual Journal</n> by the <n>Tomorrow Research Team</n>.

An illustration of the <n>Paschal Lamb</n>.