Book Covers

The <n>Aeonik</n> typeface featured in the book <n>SANS IN USE</n> by publisher <n>victionary</n>.

<n>Graphic Design International</n>, a 1977 book edited by <n>Igildo G. Biesele</n>. Photo by <n>The Print Arkive</n>.

<n>Família Typeface Specimen</n>, a diploma project by <n>J. Hunor Vári</n> for <n>ECAL MA Type Design</n>.

A booklet on the visibility of women, featuring distorted, <n>Brutalist</n>-inspired typography.

The <n>Fragmentos©</n> booklet by <n>eestudio</n>, a tribute to poet <n>Federico García Lorca</n>.

Cover of <n>Statement and Counter-Statement</n> by <n>Experimental Jetset</n>, published by <n>Roma Publications</n> in 2015.

<n>EAN – Encontro de Artistas Novos 2011–2022</n>.

Graphic Design in the Post-Digital Age: A Survey of Practices Fueled by Creative Coding

<n>Senza Segnale</n>, a journalism project by <n>IRPIMEDIA</n>. Graphic design by <n>Due Studio</n> using paper from <n>Fedrigoni Special Papers</n>.

<n>Harmony for 9 Years</n> archive book for the <n>HELLO! SEM Orchestra</n> by <n>Everyday Practice</n>. Photo by <n>Kim Jinsol</n>.

<n>Do it - China 2021</n>, a book designed by <n>Xiaoxi Sun</n> and edited by <n>Hans Ulrich Obrist</n> for <n>CITIC Press Group</n>.

Graphic design by <n>Estudio República</n> for the group exhibition <n>Holobionte</n> at <n>Pulsa Gallery</n>.