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The Grand Budapest Hotel — ANNIE ATKINS

<n>Portrait of a White Horse</n> (2020) by photographer <n>Drew Doggett</n> from his book <n>Untamed Spirits</n>.

<n>Bella Hadid</n> photographed by <n>Zoë Ghertner</n> for <n>Vogue</n>, September 2021. Makeup by <n>Fara Homidi</n>.

<n>Blue eye aesthetic</n>, a 2022 photograph by <n>TisDesca</n>.

<n>Alexandre Rodrigues</n> and <n>Alice Braga</n> in a still from the 2002 film <n>City of God</n>.

<n>TRANSGRESSION</n> by artists <n>Nastassja Abel</n> and <n>Christian Otto</n>.

<n>Ralph Fiennes</n> and <n>Tony Revolori</n> in a still from <n>The Grand Budapest Hotel</n> (2014) by <n>Wes Anderson</n>.

Makeup look by artist <n>Muse 🌙</n> using products from <n>Mehron Makeup</n> and <n>ColourPop Cosmetics</n>.

A still from <n>The Decameron</n>, a 1971 film by <n>Pier Paolo Pasolini</n>.

A film still from the 2007 movie <n>Atonement</n>, directed by <n>Joe Wright</n>.

A Valentine's Day portrait of the Dalmatian <n>Perry</n>. Photo by <n>Chew Drip</n>.

VIDEO: Ultimate Guide to Cinematic Lighting Pt. 2 (w/ FREE Ebook)

A still of <n>Nastassja Kinski</n> in the 1984 film <n>Paris, Texas</n>, directed by <n>Wim Wenders</n>.

<n>Arthur Mitchell</n> with dancers from the <n>Dance Theatre of Harlem</n>. Photo by <n>Martha Swope</n>.

Still from the short film <n>What We Want | Was Wir Wollen</n> by director <n>Adrian Kuchenreuther-Gulati</n>.