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<n>Digitization LXVII</n> from the <n>Digitization</n> project, an ongoing archive of analog materials.

A photograph from Socotra, Yemen by <n>Jamie Hawkesworth</n> for <n>Atmos</n> Volume 02: Latitude.

A film still from <n>Sense and Sensibility</n> (1995).

<n>Bargaining</n> (2014) by <n>Victoria Siemer</n>, from 'The five stages of grief' series.

From the <n>Garden of Eden</n> series by photographer <n>Jimmy Marble</n>.

Model <n>Fernando Cabral</n> for the <n>COS</n> Fall 2019 campaign, photographed by <n>Mark Borthwick</n>.

<n>Tsering Dhundup</n> with his yak, Lungta, from the photo series '<n>Dyal Thak</n>' by <n>Kin Coedel</n>.

A <n>Norlha</n> artisan on the Tibetan Plateau in Ritoma. Photo by <n>Jonas Bjerre-Poulsen</n>.

Chiang Mai, Thailand. Photo by <n>Piyatat Primtongtrakul</n>.

Cover art for albums by <n>Damazein</n>, including <n>Elysium</n>, <n>Eclipse</n>, and <n>Dark Pocket</n>.

From <n>Lottie Davies</n>'s series <n>Quinn</n>, winner of the 2008 <n>Taylor Wessing Photographic Portrait Prize</n>.

<n>Kristina Podobed</n> in the Black Sea, Odessa, photographed by <n>Genia Volkov</n> for <n>Purple Magazine</n>.

<n>Golo</n>, a weaver at <n>Norlha</n>, photographed by <n>kin chan coedel</n>.

<n>Please don't touch me</n>, 2021, by photographer <n>Luka Khabelashvili</n>.

<n>Assembly, Okinawa, No. 1</n>, a 2017 photograph by <n>Osamu Yokonami</n>.

A herd of <n>Horses</n> on the <n>Assy Plateau</n> in the <n>Kazakh Steppe</n>, Kazakhstan.