Historic art style

An alchemical diagram from <n>Elias Ashmole</n>'s 1652 book, <n>Theatrum Chemicum Britannicum</n>.

An emblem from <n>Jean Baudoin</n>'s 1638 book, <n>Recveil D'Emblemes Divers</n>.

French Emblems: Pictura of Scève, Maurice: Délie (1544): ENTRE TOUTES UNE PARFAICTE.

Provido Consilio, a 17th-century engraved bookplate for <n>Joannes Philippus Papius</n>.

<n>Figura Cabalæ</n>, an engraving from <n>Heinrich Khunrath</n>'s alchemical text <n>Amphitheatrum Sapientiae Aeternae</n>, 1609.

A 1682 copper engraving from <n>Jacob Böhme</n>'s work '<n>Der Weg zu Christo</n>.'

Illustration from the 1878 book <n>Psychography</n> by author <n>M.A. (Oxon.)</n>.

The <n>Flammarion engraving</n>, a wood engraving by an unknown artist from <n>Camille Flammarion</n>'s 1888 book.

An illustration from <n>Filippo Picinelli</n>'s <n>Mundus Symbolicus</n>, 1681.

<n>The Tree of knowledge of good and evil</n>, a Rosicrucian illustration by the <n>German School</n>, c. 1785.

Engraving from <n>Michael Maier</n>'s alchemical emblem book, <n>Atalanta Fugiens</n> (1617).

A 1613 woodcut from <n>Azoth, sive Aureliae occcultae philosophorum</n> by alchemist <n>Basilius Valentinus</n>.

Cover art for <n>Darvaza</n>'s album <n>The Silver Chalice</n>. Original illustration by <n>David G. Ljungdahl</n> (1766).

<n>The ladder of the intellect rising to God</n>, an engraving by <n>Robert Fludd</n> from 1619.