Lectures

<n>The Requiem</n> (2023) by <n>Rithika Merchant</n> in gouache, watercolour and ink on paper.

The 2023 album cover for <n>Nous Étions Des Humains</n> by <n>Mickey 3D</n>. Photo by <n>Najah El Mahmoud</n>.

<n>Hope (Blue) Supported by a Bed of Oranges (Life)</n>, a 1991 artwork by <n>John Baldessari</n>.

<n>Moments in the life of a digital made up flower</n>, a <n>minimalist</n> and <n>abstract</n> <n>3D render</n>.

<n>Miviv</n>, a painting by <n>Gary McMillan</n>.

<n>Untitled (Black Bird)</n> by <n>Bill Traylor</n>, c. 1939-42.

A <n>HIDDEN ® PALEONTOLOGY</n> illustration for the brand <n>HIDDEN®</n>.

<n>Terminal Velocity</n> by artist <n>Chema Mendez</n>.

A gouache painting depicting <n>The Star Tarot Card</n>.

Digital collage by <n>Robin Isely</n> based on a detail from <n>Hans Memling</n>'s c. 1480 painting, <n>Man of Sorrows</n>.

<n>Our Busy Society</n>. Photography by <n>Zhong Lin</n>. Styling by <n>Dan Cui</n>.

<n>Naudline Pierre</n>'s painting <n>Chrysalis at the Altar of Change</n> (2022) from the <n>Enter the Realm</n> exhibition.

<n>Liquid Lady</n>, a 1990 photograph by <n>Karin Rosenthal</n>.

<n>Current Joys (Paper, Hawaiians)</n>, a 2020 sculpture by artist <n>Hamish Pearch</n>.

A meme illustrating the spiritual concept of nonduality using the Pokémon character <n>Diglett</n>.

<n>the shape of me</n> by <n>Cardboard Cranium</n>.

A logarithmic illustration of the observable universe by artist <n>Pablo Carlos Budassi</n>.

First image of <n>Earth</n> from the <n>GOES-18</n> satellite, a collaboration by <n>NOAA</n> and <n>NASA</n>.