Li (理)

A <n>Cut Fox Shell</n>, a conch sliced to reveal its internal structure.

A <n>Kármán vortex street</n> forms in the clouds in the wake of <n>Jan Mayen</n> island. Photo by <n>Landsat 7</n>.

<n>Calla Lily</n>, 1984, by <n>Robert Mapplethorpe</n>.

A laboratory-grown specimen of <n>Rainbow Bismuth</n>.

A specimen of the <n>Syrinx aruanus</n> sea snail, photographed in 1950.

The <n>Altiplano</n>, captured by drone at 4,700 meters. Photo by <n>JUSTIN DYBKA</n>.

Max Cooper - Molten Landscapes  (official video by Cornus Ammonis and Morgan Beringer)

Macro photograph of an <n>Iris</n> flower, 2008.

<n>El Desierto del Diablo</n> in Salta, Argentina. Photo by <n>Alejandro Petrakovsky</n>.

Artwork by <n>Samuel Burgess-Johnson</n> for <n>The 1975</n>'s 2018 album, <n>A Brief Inquiry Into Online Relationships</n>.

An aerial view of <n>Buntsaanan Lake</n> in Mongolia. Photo by <n>Lennart Pagel</n>.

<n>Electrical discharge patterns</n> by <n>John Matthias Kuehne</n>, 1900.

Assets by <n>Dekogon</n> for the 2021 tech demo <n>The Matrix Awakens: An Unreal Engine 5 Experience</n>.

it’s interesting how you can intuitively detect this quality in unexpected places such as on messy desks. even mess is not created equal I guess. organic mess feels like something that accrued over time, shaped by the process of natural wear and tear. it’s not really accidental.

Sandstone formation. Photo by <n>Stephen Strom</n>.

<n>Cassiopeia</n> jellyfish from the book '<n>Sea jellies: rainbows in the sea</n>' by <n>Elizabeth Tayntor Gowell</n>.

The <n>serpent gourd flower</n> (<n>Trichosanthes cucumerina</n>) unfurls its fringed petals each night.