Animation of the <n>Basel Variable</n> typeface, designed by <n>Chi-Long Trieu</n> for <n>Optimo Type Foundry</n>.

The visual language of brands: Exploring logo art

A rendering of the <n>OPPO R&D Headquarters</n> in Hangzhou, China, designed by <n>BIG (Bjarke Ingels Group)</n>.

<n>Minimalistic Poster 035</n>, a <n>minimalist</n> graphic poster with <n>geometric</n> forms.

Poster by <n>Sarok Jeong</n> for the <n>Yonsei University</n> exhibition ‘<n>BIG IDEAS: make no little plans</n>’.

The <n>Neue Brücke</n> typeface, a work in progress by type designer <n>Massimiliano Vitti</n>.

<n>forma 04</n>, a 2022 poster by artist <n>Marek Zieliński</n>.

<n>Pirouette #2</n>, a 3D rendering created using sound inputs to generate movement.

"Flux" poster by graphic designer <n>Nick Losacco</n> for the 2019 <n>Dawson College</n> Graphic Design Grad Show.

Typeface design by <n>Mohammed Samad</n> and <n>Bouk Ra</n>.

New monogram for <n>Bassike</n> designed by <n>TRiC</n>.

The <n>LD_AK</n> typeface, an <n>Angular</n> and <n>Tech</n> style font from 2024.

<n>Daniel Norris</n>'s alternative poster for <n>Penny Marshall</n>'s 1988 film, <n>Big</n>.

Animated letter B for the <n>36 Days of Type</n> challenge.

Poster by graphic designer <n>Yujian Huang</n>.

<n>The Blue Hour</n> poster by <n>häfelinger + wagner design</n> for clients <n>GMUND</n> and <n>FOAG</n>, with art direction by <n>Frank Wagner</n>.

<n>The Big B</n> poster by <n>Dora Lazarevic</n>.

Poster for the letter B by <n>Fatih Hardal</n> of <n>Hardal Studio</n> for the 2019 <n>36 Days of Type</n> project.

A graphic design titled <n>Visual Experiment</n> by artist id.a___, featured by <n>Tommorrow Features</n>.

A collection of vintage audio equipment including <n>E.S.B. 40 LD</n> speakers and an <n>AKAI VT-700</n> recorder.

A <n>Swiss Style</n> poster for a live music event at <n>Bar Xulma</n> in 2022.

A geometric alphabet by graphic designer <n>Linus Lohoff</n> for the <n>36 Days of Type, 8th Edition</n> challenge.