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Poster for <n>Asbjørn Skou</n>'s exhibition, <n>Frothing, Foaming & Teeming</n>, in 2017.

Visual identity for the <n>Théâtre des Bouffes du Nord</n> 2019/20 season by <n>Violaine & Jérémy</n>.

Poster design by <n>Matthias Funk</n> for the <n>Kunstprojekt Sennestadt</n> art project, 2014.

Graphic design by <n>Kirill Gluschenko</n>.

Artwork <n>Any part, any form</n> by graphic designer <n>Karel Martens</n>, 2013.

A portfolio design by <n>Damien Gimeno</n>, using a mockup from <n>The Offfice Collection</n> by <n>Bendito Mockup</n>.

<n>I Used to Be a Design Student</n>, a book by <n>Billy Kiosoglou</n> and <n>Frank Philippin</n>, published in 2013.

A page from the 1970 <n>New York City Transit Authority Graphics Standards Manual</n> by <n>Massimo Vignelli</n> and <n>Bob Noorda</n>.

The <n>Tiemann Reviæval</n> typeface by <n>J. Hunor Vári</n> is a revival of <n>Walter Tiemann</n>'s <n>Tiemann Mediaeval</n>.

Visual identity for the <n>VEINTINUEVE TRECE</n> festival, designed by <n>LEÓN ROMERO</n>.

Typography for the <n>Bandcamp</n> feature ‘<n>The Protest and Passion of Welsh-Language DIY</n>’.

New sans-serif typeface <n>FH Premier</n> by <n>Typografische</n>.

Program for <n>Caged Time</n> by <n>Shakespeare's Wild Sisters Group</n>, 2017. Design by <n>Elmo Wu</n>.

Visual identity for the 17th edition of the <n>OFFTA</n> festival, designed by <n>Supersystème</n>.

Poster for <n>Kunststipendien der Stadt Zürich 2022</n>, designed by <n>Arjun Gilgen</n> and <n>Stefan Hürlemann</n> of <n>Skala</n>.