INMERSION

Artist <n>Lee Kun-yong</n>'s 1975 performance piece, <n>Logic of Place</n>.

<n>Sound-Space Investigations</n> by artist <n>Bernhard Leitner</n> in his New York studio, 1972.

<n>Itinerant Idols</n> (2007), a sculpture by <n>Walter McConnell</n>.

<n>Inside outside</n> (2015), a performance by artist <n>Thierry Mandon</n>.

<n>Theo Harrington</n>, a 2017 collage on paper by artist <n>Richard Vergez</n>.

Digital illustration by <n>Still Life</n>.

<n>Déjà Vu II</n>, a 2010 installation by artist <n>Pia Männikkö</n>.

<n>The path of persistence</n>, a 2012 digital artwork by <n>Adam Martinakis</n>.

<n>Le moulin de l’oubli</n> (1999), a photomontage by artist <n>Gilbert Garcin</n>.

The <n>Augmented Shadow</n> installation at <n>Paradise Art Lab</n>.

<n>surreal real shadow illusion</n> by <n>Joon Moon</n>.

<n>Stills Stuck (detail)</n>, 2013, by artist <n>Claire Harvey</n>.

A still from <n>Joseph Beuys</n>'s 1974 performance, <n>I Like America and America Likes Me</n>.

<n>The Unglory</n>, a shadow art installation by artist <n>Anni Laukka</n>.

<n>Le Cercle fermé</n>, an installation by <n>Martine Feipel</n> and <n>Jean Bechameil</n>. Photo by <n>Barbara Picci</n>.

A shot from an exhibition at <n>OIGÅLL PROJECTS</n> in Fitzroy.

Collage by <n>Ana Flecha Marco</n> for the book <n>Sin noticias del mundo animal</n> by <n>Javier Echalecu</n>.