VIS/REF

<n>Self-Portraits</n>, 1932, by artist <n>Renée Sintenis</n>.

A sculptural table from the <n>Hammered Objects</n> collection by designer <n>Sigve Knutson</n>.

Chair designed by <n>Jouko Jarvisalo</n> in 1985.

A photograph by <n>Nikki McClarron</n> for Tibetan yak wool brand <n>Norlha</n>, published by <n>Kinfolk Magazine</n>.

<n>False Hellebore</n> (1926) by <n>Imogen Cunningham</n>.

<n>Malgosia Bela</n> for <n>Vogue Poland</n>, June 2019. Photo by <n>Sonia Szóstak</n>, styled by <n>Charlotte Roberts</n>.

<n>Composition</n>, a 1932 sculpture by <n>Henry Moore</n>.

Abstract mixed-media works by artist <n>Carola Kastman</n>.

<n>Alexander Calder</n>'s stabile <n>Croisière</n>, 1931. Photo by <n>Marc Vaux</n>.

<n>Axel Vervoordt</n> and his wife May with a work by <n>Antoni Tàpies</n> in their Belgian castle. Photo by <n>Pablo Zamora</n>.

<n>two times two, Op.Nr. 361</n>, 2024. Meok and acrylic on Hanji.

<n>Andy Goldsworthy</n>'s land art sculpture <n>Balanced rocks</n>, created in Morecambe Bay, Lancashire in May 1978.

<n>Myles Dominique</n> in the <n>Jil Sander Spring/Summer 2019 campaign</n>, photographed by <n>Mario Sorrenti</n>.

The art print <n>Waves</n> by <n>Alexander Khabbazi</n> is a homage to graphic designer <n>Yusaku Kamekura</n>.

A 3D render of a retro-style keyboard key featuring the <n>IBM</n> logo.

<n>The So-called Temple of Vesta</n> at Tivoli, from <n>Vitruvius</n>'s 'The Ten Books on Architecture'.

<n>Studies for two angels</n>, a 1922 wood sculpture by artist <n>Ivan Meštrović</n>.

The <n>Flussbad</n> project by architecture firm <n>slowness</n>. Photo by <n>Clemens Poloczek</n> for <n>IGNANT</n>.

Digital illustration <n>unperished | v1.0</n> by <n>unperished</n>.

Abstract composition associated with the brand <n>Marset</n>, via <n>Acoulite</n>.