good user interfaces

uilabs

<n>PicOS</n>, a fictional operating system designed for the <n>PICO-8</n> fantasy console.

UI for the <n>Particle-Reverb 7.0</n> plugin from the <n>Digital Material Language</n> project by <n>Kentaro Suzuki</n>.

The <n>skeuomorphic</n> UI for <n>Apple</n>'s <n>Podcasts</n> app, released in 2012 and attributed to <n>Scott Forstall</n>.

The 1984 <n>Macintosh System 1</n> GUI, with icons by designer <n>Susan Kare</n> and software by <n>Andy Hertzfeld</n>.

Fun fact: you can also use Ableton Live as a project planner!

In-store navigation feature from the <n>Hyper</n> mobile application.

As the icing on top, precise location feeds into our other area of research: AR navigation. We’ve refined this user experience to be best-in-class, driven by Hyper-accurate location.

Most of Hyper’s story still hasn’t been told. One day I’ll explain how we worked secretively for

An <n>F-22 Raptor</n> HUD illustration showcasing the <n>Qirate Mono</n> font by designer <n>Ivan Belolipetskii</n>.

Graphic celebrating the 10th anniversary of the <n>OP-1</n> synthesizer.

UI design concept for the <n>Audacity</n> app by <n>Volodymyr Gruev</n> for <n>OOZE</n>.

The <n>RAVEkora</n> model interface in the <n>Neutone</n> AI audio plugin, developed by <n>Qosmo</n>.

The <n>pocket operator for Pixel</n> app by <n>Teenage Engineering</n> in collaboration with <n>Google</n>.

<n>Humane</n>'s <n>AI Pin</n> projects its <n>Laser Ink Display</n> onto the user's hand. Pictured is the <n>Eclipse</n> model.

The 1984 <n>Macintosh Control Panel</n>, designed by <n>Steve Capps</n> with icons by <n>Susan Kare</n> for <n>Apple</n>.

A composite image showcasing the user interface design of the <n>OP-1</n> synthesizer.