<n>Isamu Noguchi</n>'s <n>Work Sheets for Sculpture</n>, 1945.

New brand identity for the <n>Utah Museum of Contemporary Art</n> in collaboration with <n>Dinamo Typefaces</n> and <n>Omnigroup</n>.

Aerial view of <n>Stonehenge</n> in Wiltshire, England. Photo by <n>Joe McNally</n>.

Poster for the <n>Semitransparent Design</n> exhibition by <n>Ryoji Tanaka</n> at <n>Ginza Graphic Gallery</n>, 2014.

<n>Orca, Minke, Beluga</n> poster by <n>MuirMcNeil</n>.

A 1950 photograph by <n>Erwin Blumenfeld</n> titled <n>What Looks Like an Ad for Helena Rubinstein</n>.

The York Woman, from ready-to-wear brand <n>Isabella York</n>.

Les Rebelles by artist <n>Luka Hannah</n>.

<n>Human Concretion</n> (1935), a stone sculpture by <n>Hans Arp</n>.

A fractal artwork titled <n>Recursive Chessboard</n>.

A design process collage from a collection by designer <n>Abzal Issabekov</n>. Photo by <n>Thurstan Redding</n>.

Poster for the 1969 film <n>Downhill Racer</n>, designed by <n>Stephen Frankfurt</n> and featuring <n>Robert Redford</n>.

The <n>Aprello</n> typeface by designer <n>Marinus Klinksik</n>, released via <n>The Designers Foundry</n>.

An illustration titled <n>Terror a la vida eterna</n>.

The <n>Colossus of Constantine</n> at the Capitoline Museums in Rome.

A photogram from the <n>Osmosis</n> series by photographer <n>Alvin Booth</n>.

<n>Karen Elson</n> for <n>Marie Claire Germany</n>, 1997.

<n>Bauhaus-Archiv / Museum für Gestaltung</n> poster by designer <n>Sascha Lobe</n> and <n>L2M3 Kommunikationsdesign</n>, 2014.

A 2021 typographic work by <n>Ramora</n>, curated by <n>Carlos Jadraque</n>.

Model <n>Misty Kyd</n> photographed by <n>Charlotte Wales</n> for <n>Vogue Italia</n>.

From the <n>Statuesque</n> series. Photo by <n>Mikael Chukwuma</n>.

Model <n>Shalom Harlow</n> photographed by <n>Sølve Sundsbø</n> for <n>Numéro</n> in 2005.

<n>High Yellow</n> (1960) by artist <n>Ellsworth Kelly</n>.

A still from the 1993 film <n>The Piano</n>, directed by <n>Jane Campion</n>.