The <n>Stringer</n> typeface, designed by <n>Emily Klaebe</n> for <n>Order Type Foundry</n>.

Zine designed by <n>Fakepaper</n> for the <n>Nike</n>-commissioned documentary '<n>croispasquondort</n>'.

A spread from <n>Typotron 15. Typografisches Allerlei</n> by typographer <n>Jost Hochuli</n>.

Actor <n>Ken'ichi Hagiwara</n> in a pose from the 1974 TV series <n>Kizu darake no Tenshi</n>.

Experimental <n>Grundtvig Typeface</n> by designer <n>Reinaldo Camejo</n>, inspired by the Grundtvig Church.

Editorial spread from <n>Fare Magazine</n>'s Issue 13 on contemporary Hungarian cuisine.

<n>Lock Specimen Book</n> designed by <n>Astrid Stavro</n> for <n>CoType Foundry</n>. Photo by <n>HONDO</n>.

<n>Slit Photography, Self Portrait</n> by photographer <n>Kris Grimes</n>.

An article on graphic designer <n>Natasha Lucas</n> of studio <n>Accept & Proceed</n>, written by <n>Zoe Loring Murphy</n>.

<n>Helvetica NFT, Artwork B</n> by artist <n>Nigel Cotter</n> for <n>Monotype</n>, June 2022.

<n>Helvetica NFT, Artwork B</n> by <n>Nigo Cottier</n> for <n>Monotype</n>, 2022.

New design direction for French magazine <n>Photo</n> by <n>Republique Studio</n>, using the <n>Basel Grotesk</n> typeface.

Poster for <n>Shy People Listening Series Vol. 1</n> by graphic designer <n>Han Gao</n>, 2019.

The <n>RM Mono</n> typeface, designed by <n>CoType Foundry</n> with creative direction by <n>Mark Bloom</n>.

Book design for the <n>Piano</n> typeface by <n>Anton Thys</n>. Mockups by <n>Mockup.Maison</n>.

The February 1983 cover of <n>Byte Magazine</n> featuring the <n>Apple Lisa</n> and <n>Apple IIe</n> computers.

The <n>Slackjack Typeface</n>, designed by <n>My Name is Wendy</n> in 2020.

Editorial design for <n>INQUE magazine</n> by <n>Matt Willey</n>, using the <n>Orbikular</n> typeface from <n>CoType Foundry</n>.

<n>Cri Du Cœur</n>, an editorial for <n>Dapper Dan Magazine</n> featuring model <n>Meng JI</n>. Photo by <n>Luka Spaziani-Booth</n>.

Illustration by <n>Yasaburo Kuwayama</n> for the <n>Japan Typography Association</n> calendar, 1982.

<n>Orbikular</n> type specimen designed by <n>Matt Willey</n> and <n>Chantal Jahchan</n> at <n>Pentagram</n>. Photo by <n>Gary Smith</n>.

A spread from a book by studio <n>M35</n> celebrating a five-year collaboration with <n>Icebergs Dining Room and Bar</n>.

A page from a specimen book showing wood type manufactured by <n>The Hamilton Manufacturing Company</n>.

London — Walden

<n>Helvetica NFT, Artwork A: 5</n> by artist <n>Nigel Cottier</n> for <n>Monotype</n>, June 2022.

Composition by artist <n>Benoît Bodhuin</n> celebrating his work published in IDPURE magazine.

Design by <n>terezabettinardi.com</n> for the 2022 <n>Annual of the Type Directors Club</n>.

Alexis Mark redesigns the Harvard Design Magazine based on two typographic concepts

A spread from the <n>Harvard Design Magazine</n>, redesigned by <n>Alexis Mark</n>. Photo by <n>Alexis Mark</n>.

A photograph from the <n>Lip Texture Series</n> by <n>makeupbrutalism</n>.

Typographic poster from the <n>Daily Poster Series</n> by designer <n>Berkay Taş</n>, 2020.

Spreads from the <n>Aeonik type specimen book</n> by <n>CoType Foundry</n>, printed by <n>Identity Printers & Finishers</n> in 2019.