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<n>Ryusenji House</n> by <n>Tomoaki Uno Architects</n>.

A 2015 competition entry for the <n>Bamiyan Cultural Centre</n>, designed by <n>Lázaro</n>.

<n>La Congiunta</n>, a <n>Brutalist</n> artspace in Giornico, Switzerland, designed by <n>Peter Märkli</n>.

<n>The Poolrooms</n>, a digital artwork by <n>Jared Pike</n>.

<n>AKHU</n> by <n>James Turrell</n> at <n>Superblue Miami</n>.

Artwork by <n>Alberto Biasi</n> from the 1967 catalogue <n>Lo Spazio dell'Immagine</n>.

An artwork by <n>Michelangelo Pistoletto</n>.

<n>Standing Walls (2 panels)</n> (1995) by <n>Light and Space</n> artist <n>Larry Bell</n>.

Cover art for the song <n>Don't Let Me (Now On Spotify)</n> by musician <n>Geo</n>.

<n>Blind Sight</n>, a 1992 light installation by artist <n>James Turrell</n>.

<n>The mediated motion</n> (2001), an installation by <n>Olafur Eliasson</n> at the <n>Kunsthaus Bregenz</n>.

<n>Lost in reflexion</n> (2015), a sculpture by artist <n>Guillaume Lachapelle</n>.

A <n>Lounge Chair & Ottoman</n> by <n>Charles and Ray Eames</n> in the minimalist <n>Unbox Therapy Studio</n>.

<n>Ganzfeld Aural</n>, a 2018 light installation by artist <n>James Turrell</n>.

An image used to depict <n>Level 9</n> of The Backrooms, a popular <n>weirdcore</n> aesthetic.

<n>Carl Andre</n>'s <n>22 Steel Row</n> (1968) at the <n>Herbert Foundation</n>, 2013. Photo by <n>Philippe De Gobert</n>.