35mm photograph by <n>Bianca des Jardins</n>.

An <n>Issey Miyake</n> ensemble from 1989, photographed by <n>Irving Penn</n>.

Still from <n>As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty</n> (2000) by <n>Jonas Mekas</n>.

Macro photograph of a <n>Peacock butterfly</n> wing. Photo by <n>Getty Images</n>.

The 2019 recreation of the <n>BMW Garmisch Concept</n>, designed by <n>Marcello Gandini</n> for <n>Bertone</n>. Photo by <n>Christian Kain</n>.

<n>STILL LIFE</n> (2020) by <n>Yasuhito Fujisawa</n>.

Photo by <n>Le Manoir d'une Folie Imaginaire.</n>

A photo by <n>Zhong Lin</n> from the <n>Blooming Season</n> editorial for <n>Vogue Taiwan</n>.

The <n>T Chair</n>, designed in 1952 by <n>Katavolos, Kelley, and Littell</n> for <n>Laverne</n>.

i am the flame that awakens the dance in others

<n>The Marble-Clad House</n> by architects <n>Wojciech Morsztyn</n>, <n>Adam Wiercinski</n>, and <n>Anna Dobek</n>.

<n>Sea Diamonds 22</n> (2018) by artist <n>Irina Cumberland</n>.

A photograph taken in <n>Paris</n> by <n>Georg Stefan Troller</n> in 1950.

Model <n>Ophelia</n> in a <n>Mirror Palais</n> top. Photo by <n>Takahito Sasaki</n> for <n>Document Journal</n>.

The orange circle is the main brand accent for the design tool <n>Readymag</n>.

A depiction of the black hole <n>Gargantua</n> from the 2014 film <n>Interstellar</n>.

Artist <n>Ruth Asawa</n> with her <n>wire sculptures</n> in 1957. Photo by <n>Imogen Cunningham</n>.

A still of <n>Ewan McGregor</n> from <n>Tim Burton</n>'s 2003 film <n>Big Fish</n>.

<n>Gray Column</n> (1975-76) by artist <n>De Wain Valentine</n>.

<n>Cortina Maguey</n>, an artisanal textile by <n>TWENTY ONE TONNES</n>.

“We are all made of energy and that’s all there is to it. Energy cannot be made nor destroyed. It can only change forms.”

Still from a 1950s science film from the <n>Well Public Film Archive</n>, edited by <n>Well Public Studio</n>.

An image associated with <n>BUTA Ramen House</n>.