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<n>Wherever She Goes</n> album art by musician <n>Devin Matthew Wilson</n>. Photo by <n>Joel & Justyna</n>.

A still from the 2019 film <n>Scary Stories to Tell in the Dark</n>.

<n>Alone</n> by photographer <n>Ruairidh McGlynn</n>.

Symphonie méditerranéenne. Poster mini-series

A still from the 1975 film <n>Mirror</n>, directed by <n>Andrei Tarkovsky</n>.

A still from <n>Joe Wright</n>'s 2005 film <n>Pride and Prejudice</n> starring <n>Keira Knightley</n> and <n>Matthew Macfadyen</n>.

A film still from <n>Call Me by Your Name</n> (2017), directed by <n>Luca Guadagnino</n>.

The volcanic coast of <n>Lanzarote</n> from the series <n>ILLA</n>. Photo by <n>Salva López</n>.

A portrait from the series <n>EDITORIAL II</n> by photographer <n>Ben Sasso</n>.

Photo by <n>Salva López</n> for <n>HEREU</n>'s 10th anniversary book, <n>MEMORY. A Play of Twos</n>.

<n>Blooming series</n> by photographer <n>Kamila Solarz</n>.

“Synchronicity is an ever present reality for those who have eyes to see it.”

— Carl Jung

Illustration from <n>The Morning of the Magicians</n> (1960) by <n>Louis Pauwels</n> and <n>Jacques Bergier</n>.

A still from the 1986 film <n>The Sacrifice</n>, directed by <n>Andrei Tarkovsky</n>.

A still of <n>Renate Reinsve</n> from <n>Joachim Trier</n>'s 2021 film <n>The Worst Person in the World</n>.

A still from the 2021 film <n>The Worst Person in the World</n>, directed by <n>Joachim Trier</n>.