Books

<n>Special Hanji Edition</n> of poetry. Design by <n>Kwon Joonho</n>, <n>Kum-jun Park</n>, and <n>Ham Ji-eun</n>. Photo by <n>Kim Jinsol</n>.

Max Bill (1908–1994) was a Swiss polymath bridging the worlds of art, design, and architecture. Dr. Angela Thomas, art historian and widow of the artist, retraces Max Bill’s biography, from his childhood to his training at the Bauhaus, his return to Zurich, and on until the late 1930s. She meticu...

A Subversive Gleam: Max Bill and His Time 1908–1939

The book <n>Type: A Visual History of Typefaces and Graphic Design, 1628-1938</n>.

A selection of books from <n>Éditions Divergences</n> at <n>Offprint Paris</n> 2025. Photo by <n>Adrian Deweerdt</n>.

<n>Walking as Embodied Worldmaking</n>, edited by <n>Lea Maria Spahn</n> and published by <n>Set Margins’</n>.

<n>El Món d'Ahir</n> Issue #36, <n>Segle de les Llums</n>. Design by <n>RUN</n>, published by <n>Minoria Absoluta</n> and <n>Abacus</n>.

A *New* Program for Graphic DesignDavid ReinfurtA *New* Program for Graphic Design is the first Communication Design text book expressly of and for the 21st century. Synthesizing the pragmatic with the experimental, A *New* Program for Graphic Design builds upon mid- to late-20th-century pedagogi...

David Reinfurt: A *New* Program for Graphic Design

New edition of <n>Heinrich Wölfflin</n>'s <n>Principes fondamentaux de l’histoire de l’art</n>, designed by <n>Atelier Tout Va Bien</n>.

<n>Rhododendrons, Empire, China and Me</n>, a book by artist <n>Yan Wang Preston</n>.

Neue Grafik, the “International Review of graphic design and related subjects,” was initiated by designer Josef Müller-Brockmann and published in eighteen issues between 1958 and 1965 by an editorial collective consisting of him, Richard Paul Lohse, Hans Neuburg und Carlo Vivarelli ( LMNV ). The ...

Neue Grafik: New Graphic Design: Graphisme Actuel 1958-1965

The series, loosely inspired by Mike Kelley’s “Ahh… Youth!” presents a collection of sourced online auction photos of Donkey (from Shrek) plush toys in a survey of “officially licensed” form with selected Shrek quotes to match.3 Color RisographPerfect Bound56 pages7.25×4.5 in.Edition of 250

In The Morning… I’m Making Waffles

<n>The Very Nature of Materiality is an Entanglement</n> by <n>OK-RM</n> and <n>Lila Matsumoto</n>, published by <n>In Other Words</n>.

<n>With a Bird, A Reader on Avian Kinship</n>, edited by <n>Marjolein van der Loo</n> and published by <n>Onomatopee Projects</n>.

The poetics of documentary, performance, and choreography combine to politically interrogate the dead time of bureaucracy for young migrants stuck in the Spanish legal system.Dialect covers three years of state violence for nine young Moroccan migrants exiled in Kafka-esque limbo in Seville, sout...

Felipe Romero Beltrán: Dialect

‘Excellent.’ – The New Yorker 
The first publication dedicated to artists' zines in North America — a revelatory exploration of an unexamined but thriving aesthetic practice
Copy Machine Manifestos captures the rich history of artists' zines as never before, placing them in the lineage of the visual arts and exploring their vibrant growth over the past five decades.
Fully illustrated with hundreds of zine covers and interiors, alongside work in other media, such as painting, photography, film, video, and performance, the book also features brief biographies for more than 100 zine-makers including Beverly Buchanan, Mark Gonzales, G.B. Jones, Miranda July, Bruce LaBruce, Terence Koh, LTTR, Ari Marcopoulos, Mark Morrisroe, Raymond Pettibon, Brontez Purnell, Paul Mpagi Sepuya, and Kandis Williams.
Accompanying a major exhibition at the Brooklyn Museum, this expansive book, bound as a paperback with a separate jacket, focuses on zines from North America, celebrating how artists have harnessed the medium's essential role in community building and transforming material and conceptual approaches to making art across all media since 1970.

Copy Machine Manifestos: Artists Who Make Zines

The book <n>REFRAMING: Constructed Realities in the Digital Realm</n> by <n>Katharina Landisch</n> and <n>Greta S.</n>

The exhibition catalog for <n>Agnes Denes</n>'s 2020 show <n>Absolutes and Intermediations</n> at <n>The Shed</n>.

A spread from <n>TYPEONE #8</n>, an issue exploring Japanese typography. Art direction by <n>Studio Ground Floor</n>.