<n>Out of Office</n>, a personal illustration by <n>Pol Solà</n>, 2020.

Poster for <n>Ursina</n> at <n>Im Schtei</n> for the <n>9. Kantonale Tage der Kultur Landschaft</n> event, 2016. Design by <n>Präsens Büro</n>.

Multi-level embossing test for the Statement Edition, created with <n>Balmer Hählen</n> at <n>Sonderegger</n>.

<n>Poster for millennia</n> by <n>Mikael Vinicius França de Souza</n>.

An image from a campaign for the beauty brand <n>Pattern Beauty</n>.

What do creative coding toolkits of the future look like? – MIT Media Lab

<n>HESTIA stool and side table</n> designed by <n>Charlotte Juillard</n>. Photo by <n>Leonardo Denizon</n>.

<n>Number 9</n> created for the <n>36 Days of Type</n> design challenge.

<n>Marmite</n> poster by designer <n>Dimitris Papazoglou</n>, awarded at the 2012 <n>European Design Awards</n>.

<n>Inverted Cactus</n>, a 2021 sculpture by artist <n>Cyril Lancelin</n>.

<n>The boundaries of nothingness</n> (2017) by artist <n>Alex Plechko</n>.

A representation of <n>CTO Complex</n>, a patented cosmetic ingredient.

Digital illustration by <n>Peter Tarka</n> from his <n>Personal 21—22</n> collection.

<n>Subversion</n> (2014), a photograph by artist <n>Miriam Sweeney</n>.

<n>Achol Ayor</n> wears <n>Schiaparelli</n> for <n>LUNCHEON</n> magazine, photographed by <n>D A N I E L   A R C H E R</n>.

Digital illustration <n>Chrome</n> by <n>Strahinja</n>.

Photograph by <n>채림(챎) chaelim</n>.

<n>Raining Rainy Day GIF</n> by <n>Alastair Gray</n>.