<n>Allan McCollum</n>'s <n>Collection of Two Hundred and Forty Plaster Surrogates</n> at <n>Galerie Mitterrand</n>.

<n>The Portrait</n> (1935) by artist <n>René Magritte</n>.

<n>Mark Rothko</n>'s <n>Untitled, 1960</n>, offered by <n>Sotheby's</n> on behalf of <n>SFMOMA</n>.

<n>The Room</n> (2018) by artist <n>Rinat Voligamsi</n>.

An installation by artist <n>El Anatsui</n> at the <n>Africa Remix</n> exhibition in 2004. Photo by <n>Haupt & Binder</n>.

A 2022 installation view of <n>Michael Heizer</n>'s <n>Rock/Steel series</n> at <n>Gagosian</n>. Photo by <n>Rob McKeever</n>.

<n>Angela Bulloch</n>'s <n>Pixel Box</n> (2007) at <n>Museum De Pont</n>. Photo by <n>Peter Cox</n>.

A 2007 <n>Tupfenbilder</n> painting by <n>Günther Förg</n> at <n>Hauser & Wirth</n> London. Photo by <n>Alex Delfanne</n>.

A portrait of American photographer <n>Diane Arbus</n>.

The <n>Rothko Exhibition</n> at the Whitechapel Gallery, 1961. Photo by <n>Sandra Lousada</n>.

<n>Sugar Daddy Chair</n> in white onyx, designed by <n>Pietro Franceschini</n> with <n>PHILIA</n> in 2023.

<n>Shauna Hynes</n> and <n>Jamall J King</n> at the <n>Art Gallery of Ontario</n> in Toronto. Photo by <n>Kieran Roberts</n>.

The <n>Passeggeri</n> exhibition, a project by <n>ET Studio</n> with <n>Associazione Crescere Insieme</n>.

<n>Laser Drawing 03 - Compositions</n> by <n>thedotisblack</n>, created using <n>Processing</n> and an <n>Ortur</n> laser.

<n>Canto</n> (2020) by <n>Juliano Mazzuchini</n>.

<n>Sans titre</n> (2010), a painting by <n>Sayed Haider Raza</n>.

<n>Yoko Ono</n> views <n>Andy Warhol</n>'s <n>Self-Portrait</n> (1986) at the <n>Whitney Museum</n>. Photo by <n>Jean-Yves Noblet</n>.

Artist <n>Sean Scully</n> in front of his painting "<n>Michael</n>". Photo by <n>Javier Molins</n>.

Performance artwork by <n>John Wood and Paul Harrison</n>.

<n>Equilibrium</n>, a 1936 photograph by <n>Ferdinand Barany</n>.

A surrealist interpretation of <n>Pablo Picasso</n>'s 1937 painting, <n>Guernica</n>.

A dissected portrait by French artist <n>Jean Faucheur</n>.

<n>Non-objective composition No. 61</n> (1918) by <n>Alexander Rodchenko</n>.

A collage from the <n>Dissections</n> series by artist <n>Jean Faucheur</n>.

ART