<n>Doris Humphrey, My Red Fires, Swirl</n>, a 1938 photograph by <n>Barbara Morgan</n>.

A performance by the Japanese <n>Butoh</n> dance company <n>Sankai Juku</n>.

<n>JJTC</n> rehearses for works-in-progress <n>Nature Sounds While The IV Drips</n> and <n>GRIP</n>.

<n>Juliette Bonneviot</n>'s artwork <n>PET Woman #4</n> (2015). Photo by <n>Hans-Georg Gaul</n>.

Dancers <n>Sara Fernández López</n> and <n>Iker Flikker</n> in a production by <n>Compañía Nacional de Danza</n>.

Photograph by <n>Irving Penn</n> for <n>Issey Miyake</n>'s Spring/Summer 1995 collection.

Dance company <n>JJTC</n> rehearsing their works <n>Nature Sounds While The IV Drips</n> and <n>GRIP</n>.

Dancer <n>aurora casatori</n> performs at <n>World of Dance London</n>. Music by <n>Seirian Griffiths</n>.

Rehearsal excerpt of <n>BOOTS ON THE GROUND</n> by <n>Mike Tyus</n> and <n>Luca Renzi</n> for <n>Point Park School of Dance</n>.

<n>Pina Bausch</n> performs her 1971 choreography "<n>PHILIPS 836 887 DSY</n>".

<n>Ghala Vasylenko</n>'s video installation, <n>Genii Loci</n> (2022). Photo by <n>Le Fresnoy - Studio national</n>.

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<n>Skid</n> and <n>Thr(o)ugh</n>, choreographed by <n>Damien Jalet</n> with <n>Ballet du Grand Théâtre de Genève</n>.

The performance piece <n>Connectivity</n>, with music by <n>Alex Fort</n>, presented by <n>Nowness</n>.

Excerpt from <n>Kreatur</n>, a performance by <n>Sasha Waltz</n>.

Dancers <n>Hava Hudry</n> and <n>Océane Delbrel</n>.

A performance from the dance company <n>HUMANHOOD</n>.

<n>Internal Tempo</n>, a performance by <n>Mohsen Mosavikhah</n>.

Generative art from <n>2D Skeleton Tracking & Movement Study</n>, using footage from <n>Russell Maliphant Company</n>'s <n>Afterlight (Part One)</n>.

A visitor poses with an artwork by <n>Pino Pascali</n> at the <n>Fondazione Prada</n> exhibition in Milan.