Maison

Not just a seat. These vintage accent chairs bring soul, scale, and character to interiors. Quietly commanding, endlessly collectible.

Vintage Accent Chairs - South Loop Loft

An ingenious expression of functional minimalism, this wall-mounted folding table was designed in 1970 as part of the Aggregabili series by the avant-garde Turin-based collective Anonima Design (Sergio Pareti, Ezio Luzi, Federico Prandi, Viviana Riccato, Mario Virano) for Bonetto. Executed in birch plywood, its geometry is both sculptural and exacting: a circular tabletop nestles into a cut-out recess when folded, transforming into a graphic panel against the wall.
The structure is supported by hinged doors that open beneath the drop-leaf, articulating Anonima Design’s radical ethos of space-saving versatility. Their design philosophy, born from a rejection of decorative excess, sought to create objects of transformation. A rare and poetic example of post-rational Italian design, this piece exemplifies the group’s enduring interest in adaptable, multifunctional forms.

Italian Birch Wall-Mounted Folding Table by Anonima Design for Bonetto, 1970

The Green Border PC-29B is a pure wool rug with a simple geometric design and subdued earthy craftsman colors to complement the Ginkgo Sage rug. This Mission style hand knotted carpet is available in standard sizes and ready to ship.

Craftsman Border Green Rug | Mission Hand Knotted Carpet

<n>Ateljee lounge Chair</n> designed by <n>Yrjö Kukkapuro</n> for <n>Haimi</n> in 1964.

Elegant briar double bed designed by Luigi Saccardo for Gasaprello. This bed is a refined example of vintage design, dating back to the late 70s, characterized by clean lines and a luxurious finish. The structure is made of brown stained maple burl wood veneer, with a glossy varnish that enhances the natural grain of the material, giving a sophisticated and elegant appearance.
The headboard stands out for its large lateral extension, which integrates suspended bedside tables with functional surfaces and black concealed drawers, thus offering a harmonious and integrated appearance. The rounded lines of the corners and edges add a touch of softness to the geometric design of the bed. The structure of the bed frame is imposing but well-proportioned, with rounded profiles that follow the perimeter of the mattress.
The internal dimensions of the bed include a standard double mattress measuring 160x190cm.
This piece adapts perfectly to interiors with a retro, modernist or even contemporary taste, thanks to the quality of the materials and its timeless aesthetic. Perfect for those looking for a distinctive piece of furniture with great visual impact.
Extremely rare and currently unique item on the market.
Bibliography: Mobile &quot;Seven&quot; from the same series published on Domus June 1980 P.43
 
 
Product Name: &quot;Seven&quot; bed by Luigi Saccardo for Gasparello
Designer: Luigi Saccardo
Year of Design: Late 1970s
Style: Vintage, modernist, with rationalist and elegant influences
Main materials: Wood veneered in brown stained maple root, with a glossy finish that enhances the natural grain of the material
Distinctive Design: Clean and essential lines, rounded corners and edges that give softness to the geometric design, large headboard with suspended bedside tables and black foldaway drawers, imposing but well-proportioned bed frame
Dimensions: Standard Double Mattress Size 160x190cm | Headboard Height: 70cm - Headboard Length: 310cm - Depth:4cm | Side Height: 26cm - Side Length: 205cm | Footboard Height: 26cm - Footboard Length: 172cm | Bedside table dimensions: Length: 40cm - Width: 64cm - Thickness: 4cm
Comfort: Solid and well-designed structure to accommodate a double mattress, with integrated bedside tables for greater practicality
Typical Use: Perfect for retro, modernist or contemporary style furnishings, suitable for elegant and refined bedrooms
Design Icon: A piece of great visual impact, representative of 70s Italian design, published on Domus
Versatility: Thanks to the quality of the materials and its timeless aesthetics, the bed integrates perfectly both in vintage contexts and in environments with a modern design
Current State of Design: Excellent vintage condition. Discontinued piece and currently unique on the market. This piece has an attribution mark,
  I am sure that it is completely authentic and  take full responsibility for any authenticity 
 issues arising from misattribution

Seven Bed by Luigi Saccardo for Gasparello, 1970s

Illuminate your space with South Loop Loft's collection of vintage lighting. Discover timeless European chandeliers, sconces, and lamps, each thoughtfully curated for their craftsmanship, elegance, and unique design.

Vintage Lighting - South Loop Loft

Handcrafted by the alchemy of sand-cast metal and beeswax-coated linen, the Alter floor lamp symbolises the unity of matter, spirit, and energy. This sculptural light work takes its form from alchemic symbols. Like alchemy, which transforms matter and spirit, Kaytar’s process aims to change materials and imbue them with new life.
An E27 pin plug linen cable cord with on/off inline floor switch is included with purchase. 
Material Process and Care:
This solid metal piece is sand-cast by hand. The unique ripples and pitting in the material are to be celebrated for their individual beauty. Raw aluminum, brass, and bronze will naturally develop a patina over time, adding to their inherent beauty. If desired, a high-quality metal polish can restore their original brightness and shine.

"ALTER" Floor Light | Aluminium Beeswax Linen

Pairing purity of form with the warmth of tactile linen, The Lahm Wired Sconce is an enduring, understated design rooted in intention. The design concept begins with a square prism that then undergoes a series of refinements, including a considered adjustment in the volume and proportion of the form and a front facing panel that is slightly inset, gently resting inside the geometric frame.

LAHM 06 Sconce Wired Plug-in

Sold and priced individually.
An aluminum and ash wood chair designed by George Candilis and Finnish interior designer Anja Blomstedt for the Carrats holiday village, which spans nearly five hectares on the beach at the western end of Port-Leucate, designed by architects Georges Candilis (1913-1995), Georges Wursteisen, Pierre Raoux, and Zygmund Knyszewsky.
Candilis and Blomstedt had an idea of cheap and very simple furniture that are easy to disassemble and transport, consisting of simple pieces of solid wood or plywood held in place with aluminium angle brackets. The pieces were made and assembled by the Sentou workshops, and only a few hundred pieces of this rare edition remain nowadays.
For the Candilis team, the Carrats operation becomes a place of architectural experimentation with a social dimension. Composed of cubic-shaped bungalows, its roof terraces, its patios, collective buildings, the numerous public places (small squares, play areas) allowed the creation of an ideal place where everything was done to tend towards individual and collective happiness.

Aluminum + Ash Wood Chair by George Candilis + Anja Blomstedt, France 1968 - 2 Available

Frederik Gustav creates light installation from paper and thread

Overlap Taupe + Deep Red - Beni Rugs

Cini Boeri for Arflex, 'Tuttoletto' queen bed, oak veneer, Italy, 1978Exceptional piece of furniture designed by Cini Boeri for Arflex in 1978. This monumental bedroom unit presents practical storage options within the design. Perfect for those who only want and need the essentials in their space without any frills. This piece stores blankets, pillows, and other belongings easily and out of sight. Made in oak veneer, this piece comes across very natural and serene notwithstanding its modern and sober appearance. Cini Boeri (1924-2020) was one of the first post-war female designers to achieve a prominent role in the world of postmodern furniture design and architecture. In 1951, Boeri graduated from the Polytechnic University of Milan, the city where she was born and raised. With a degree in architecture, Boeri briefly followed an internship at the studio of Italian designer Gio Poni. Later she collaborated with Marco Zanuso for many years. In 1963 the Cini Boeri Architetti studio was established. Throughout her career, Boeri designed numerous items for Artemide, Gavina and later for Knoll, Arflex, Fiam and more. A characteristic element of her furniture designs are the modular sofa systems that she implemented in several designs, par example the well-known ‘Strips’ series. In 2011, Cini Boeri received the Compasso d’Oro Lifetime Achievement award for her outstanding work and is being named a Grand Officer of the Order of Merit of the Italian Republic.  The mattress is not included. The size of the mattress is 160cm/62.99 inches wide and 190 cm/79.8 inches long. Please note that this item is in good, used condition with signs of use, including scratches and wear marks. For further information, we kindly ask you to reach out to our design specialists.   VAT within the EU: When buying or delivering an item within the EU, VAT usually applies and will be added.

Cini Boeri for Arflex 'Tuttoletto' Queen Bed in Oak

Imposing extendable dining table in rosewood with arched metal feet by Michel Dufet, circa 1931 — Maxime Flatry

Nikol International, storage unit/sideboard, walnut, smoked glass, Italy, 1970s/early 1980sPresenting an exquisite post-modern sideboard that skillfully balances form and function with its graceful use of round lines, this piece is a visual delight. The yin and yang appearance, achieved through the warm tones of walnut and the modern allure of smoked glass, creates a harmonious contrast. The doors, featuring round grips, add a functional and ergonomic touch, contributing to the overall seamless design.

Nikol International Tall Post-Modern Sideboard in Walnut and Smoked Glass

Lounge chair designed by <n>Gianni Moscatelli</n> for <n>Forma Nova</n>, 1969.

Born in Copenhagen’s experimental workshops of the early 1970s, this pine dining table and nesting‑stool ensemble reads like a playful study in geometry and material honesty.
Four perfect‑circle cubes tuck beneath a long, lean tabletop—an inventive prototype concept first explored by Danish studios under the influence of Nanna Ditzel’s circle‑and‑square motifs and the Royal Danish Academy’s student projects overseen by Børge Mogensen.
Small cabinetmakers such as Brdr. Andreasen &amp; Søhne likewise crafted singular pine prototypes to showcase emerging machine‑bending and joinery techniques. This set’s crisp cut‑outs and robust oil‑and‑wax finish bear all the hallmarks of that spirit of innovation.
The wood’s warm honey glow and softly rounded edges invite casual touch, while the architectural clarity of its graphic profile makes it as much a sculptural focal point as it is a versatile dining solution.

Danish Prototype Pine Dining Table with Four Nesting Stools, 1970s

Sold and priced individually.
A rare lounge chair by Maison Regain, crafted in France during the 1970s. Constructed from solid elm, the frame reveals the atelier’s hallmark craftsmanship—clean right angles, stacked wood bands, and exposed joinery with no visible hardware. The squared edges and recessed detailing emphasize mass and geometry, creating a sense of grounded architectural clarity. 
Generous in scale, the chair features a broad seat and deep back cushion, upholstered in its original tightly woven wool-blend fabric in a checkered chocolate brown and cream.
Maison Regain emerged in the late‑1970s Provençal design scene as a quiet workshop devoted to solid French elm and exacting, hand‑cut joinery. Produced in small, highly controlled batches, each table, sideboard, and low‑slung chair bears the subtle hallmarks of its maker—dovetail seams finished with beeswax, surfaces burnished to a honeyed glow by decades of southern light.
Active through the late 1980s, Maison Regain collaborated with designers Alain Ladroit, Luigi Gorgoni, and Roland Haeusler, and was commissioned by Charlotte Perriand for the Les Arcs ski resort.
Because the atelier’s output never chased mass distribution, surviving examples remain scarce—most passing directly from original owners to a new generation of connoisseurs. That rarity, paired with the pieces’ architectural honesty and enduring materials, is now drawing the attention of top‑tier collectors and interior designers who recognize future classics before the wider market does. The Maison’s enduring qualities are what design historians now cite when positioning Maison Regain alongside the period’s most collectible masters.
Today, Maison Regain stands as a touchstone of French craftsmanship: functional forms distilled to their elemental beauty, enriched by regional provenance, and destined for enduring cultural and investment value.


French Elm Lounge Chair by Maison Regain in Original Brown Checkered Upholstery, 1970s - 2 Available

<n>High Wire</n> at <n>Tilværk</n>. Photo by <n>Laura Stamer</n>.

<n>Jacques Quinet</n> brass ceiling lights, 1960.

Unique coffee table commissioned by Alberto Pinto in the 1990s for the decors of an hotel particulier in Paris 16ème, inspired by a Paul Dupré-Lafon coffee table design. This piece is an exquisite example of refined, highly detailed and very well made furniture by Alberto Pinto ateliers. The table is made of solid oak, with brass strapping all around the feet and structure. The table top is covered by Hermès red leather, with an incredible patina. The mix of oak, brass, and red leather is just stunning. This is a unique piece with a top notch construction and finish, highly decorative, and found in a perfect condition.

Dupré-Lafon Style Oak Brass Leather Coffee Table Alberto Pinto 1990

<n>Tapete Croco 05 Dunkelgrün</n> wallpaper by <n>Tapeten der 70er</n>.