Lay It Out

<n>Running Talus</n> by <n>Doug Robinson</n> for <n>District Vision</n>, 1976.

<n>Letter R for 36 Days of Type</n>, a poster from the 2022 design challenge.

A 2017 poster by designer <n>Helmut Lang</n> featuring <n>Peter Hujar</n>'s 1976 photograph, <n>Parked Car, Brooklyn</n>.

Flyer for <n>Marie Matusz</n>'s <n>CARAVAN 1/2019</n> exhibition, designed by <n>Nayla Baumgartner</n> and <n>Fabio Menet</n>.

<n>Typographic Process, Nr 2</n> (1972) by <n>Wolfgang Weingart</n>, a key work of <n>New Wave typography</n>.

Cover design by <n>SomethingMoon</n> for <n>On Popular Sovereignty: Ideas and Critiques</n> by author <n>李宇森</n>.

Packaging for <n>OM Cosmetics</n> <n>Hyaluronsäure Masken</n> by <n>Navarra.is</n>, 2021. Photo by <n>Antonio Navarra</n>.

Posters for the <n>Swiss Performance Awards</n> 2022 visual identity, designed with <n>Estelle Piguet</n>.

<n>Imin Yeh</n>'s sculpture <n>Four Butter Wrappers with a Binder Clip</n> (2024). Photo by <n>Dorian Dargan</n>.

Poster for the 2021 artist residency <n>invisible connections</n> at <n>Aomori Contemporary Art Centre</n>.

Visual identity for the <n>VEINTINUEVE TRECE</n> photography festival, designed by <n>LEÓN ROMERO</n>.

The artist's book <n>Turunç</n> by <n>Solène Gün</n>, with art direction and design by <n>Thomas Hervé Studio</n>.

Poster by <n>Pop & Pac</n> celebrating the <n>Helvetica</n> typeface, created by <n>Max Miedinger</n> in 1957.

<n>Accept & Proceed</n> poster for a lecture at <n>Chelsea College of Arts</n>, 2019.

<n>A Legacy Restored</n>, a graphic from the <n>Zodiac Watches</n> rebrand by <n>SocioDesign</n>.

Poster for the 5th edition of <n>La Brèche Festival</n>, which ran from March 23 to April 5, 2021.

Visual identity by <n>Sometimes Always</n> for <n>Fenda</n>, an art residency founded by <n>Hick Duarte</n>.

New Packaging for Proper Beans by Interabang - BP&O

Poster for the 1989 film <n>Violent Cop</n>, directed by and starring <n>Takeshi Kitano</n>. Photo by <n>Noboru Takayama</n>.

Exhibition identity for <n>Where design is found</n> by <n>Shun Sasaki</n> for <n>The National Museum of Modern Art, Tokyo</n>, 2019.