<n>Set design for Rigoletto</n> by <n>Pierre Yovanovitch</n> at <n>Theater Basel</n>, 2023. Photo by <n>Inka & Niclas</n>.

<n>Josef Svoboda</n>'s stage design for <n>Don Giovanni</n> at Prague's <n>National Theatre</n>, 1969.

Set design by <n>Erhard Rom</n> for the <n>Washington National Opera</n>'s 2011 production of <n>Lucia di Lammermoor</n>.

Set design by <n>Eiko Ishioka</n> for <n>David Henry Hwang</n>'s play <n>M. Butterfly</n>, 1988.

A performance view of <n>Past Tense</n> (2019) by artist <n>Carrie Mae Weems</n>.

Set design by <n>Josef Svoboda</n> for <n>Oedipus Rex</n> at the <n>Národní divadlo</n> in Prague, 1963.

The <n>EGO hair salon</n> in Beijing, designed by <n>FABER-FAB</n>. Photo by <n>Fabrizio Gurrado</n>.

Set design by <n>Chloe Lamford</n> for the play <n>The Cane</n> at the <n>Royal Court Theatre</n>, 2018. Photo by <n>Johan Persson</n>.

A scene from the 2008 play <n>Escritor fracasado</n> at <n>Teatro Nacional Cervantes</n>. Photo by <n>Mauricio Cáceres</n>.

The 'Brexit blue' set design for the <n>Balenciaga</n> <n>Spring/Summer 2020</n> show in Paris.

Scenography by <n>Garance Vallée</n> for <n>Léo Walk</n>'s performance <n>Maison d'en face</n> in Paris.

An illustration of <n>Glorfindel</n>, Chief of the House of the Golden Flower.