<n>Untitled</n> (2000) by <n>Anish Kapoor</n>.

Posters from the Gradients collection, including <n>Infinity</n>, <n>Color Balls</n>, and <n>Purple Glow</n>.

An advertisement for <n>Southwest Technical Products Corporation</n> computer terminals from <n>Byte Magazine</n>, 1981.

The <n>PP Pangaia</n> font by <n>Samuel Salminen</n>. Visual by <n>Sergio Lairisa</n> and <n>Nabill Parvizi</n>.

Poster for <n>Takumi Morohashi</n>'s 2015 exhibition, designed by <n>Chang Pu-Hui</n>.

Poster for the <n>Richard Paul Lohse</n>: Konstruktive Gebrauchsgrafik exhibition at the <n>Museum für Gestaltung Zürich</n>, 1999.

Poster for the <n>Après-midi de la recherche du Domaine Design & Arts visuels</n> event in Geneva, 2018.

Poster with a quote by <n>S C Lourie</n> in <n>Neue Haas Grotesk</n> type. Photography via <n>Unsplash</n>.

Posters from the <n>SURREAL Series</n>, a 2022 collaboration by designer <n>Salome Frenzel</n>.

Digital illustration titled <n>You and I, We Think Alike</n>.

<n>Venexia Regular Typeface</n> by graphic designer <n>Hoang Nguyen</n>.

Poster with <n>Neue Kabel</n> typography. Illustration by <n>Bernard Leonardo</n> and layout by <n>Salome Frenzel</n>.

A poster featuring the <n>Brutalist</n> <n>Sri Ram Centre for Art and Culture</n> in New Delhi by <n>Shivnath Prasad</n>.